A Simple Way to Make a Bundt Cake Pan on your Potter’s Wheel Today is Thanksgiving Day in America and I am continuing with CAD’s tradition of posting a food-related post along with a recipe (for food, not glaze!) on the Thanksgiving holiday. I have to admit, I never knew why bundt cake… Read More »
Not only does Adam Field go over his meticulous carving techniques on his new DVD, Precision Throwing and Intricate Carving, but he also demonstrates his throwing chops on some fantastic forms. But before all of that he gives one of the best cylinder throwing demos I’ve seen. We’ve probably all had this assignment in our beginning wheel throwing class: Throw ten even-walled, 12-inch cylinders. I won’t divulge how long it has been since I had that assignment, but I still got a ton out of this demo. So whether you are struggling with cylinders now, or have been throwing for years, have a look at today’s clip and watch your throwing improve! – Jennifer Harnetty, editor.
If you are a potter, chances are you are familiar with the terms “throwing and altering,” and can conjure up images of thrown-and-altered work. But the technique I am sharing in today’s video might be a little less familiar. In this post, an excerpt from her new video Function and Adornment: Handbuilding Functional… Read More »
Wheel throwing techniques to help you become more efficient in the pottery studio Throwing pottery off the hump is a valuable technique for any potter to learn. Trimming pots off the hump is slightly less well known, but equally valuable. In today’s post, an excerpt from our free download Five Great Pottery Wheel Throwing… Read More »
Sets are a great way to have fun with form, and a wonderful project if you like to make animated work. Jen Mecca sees her salt and pepper shakers as characters that need to interact and relate to one another. In today’s post, Jen shares her method for wheel throwing and altering the salt and pepper shakers, as well as how she embellishes them with various “costumes” such as sprigs and finials. – Jennifer Harnetty, editor.
In today’s post Lyla Goldstein takes us step by step through her cup and saucer making process, starting with throwing the pieces on the wheel and finishing with her colored slip and sgraffito decoration (which would also work well with commercial underglazes).
Ever since buying one of Chandra Debuse’s yunomi’s a couple of years ago, I wondered how she created the biomorphic volumes that give these forms their wonderful Seuss-like quality. Turns out, they are made with the aid of craft foam – that craft store staple that is ubiquitous in children’s art projects. Chandra reveals… Read More »
Throwing off the hump can really help maximize efficiency in the studio. It may seem like a little thing, but if you are in heavy production the time savings can add up when you start with a large hunk of clay rather than a bunch of small pieces. In today’s post, an excerpt from… Read More »
Frank Krevens had been making faceted cone 10 porcelain work for many years, but after a recent move, he lost access to the high fire kiln. That, and a concern for the environmental impact he was having with the higher fired work, led him to try to develop his palette for low firing. His solution… Read More »
In today’s post, Jane Sawyer explains how she throws with extra soft clay and cuts darts during the throwing process to create work that looks fluid even in the finished fired state. She also explains how she uses finger marks through slip to further enhance this effect.