We have posted a few videos on Ceramic Arts Daily over the years of artists using screen printing techniques on clay in one way or another. But until filming Forrest Lesch-Middelton’s DVD Volumetric Image Transfer on Clay, I had never seen anyone screen print on the inside of a wheel thrown bowl. In today’s post, an excerpt from the DVD, you’ll see the ingenious method Forrest came up with to get his screen-printed imagery onto what he calls his inside-out jars. – Jennifer Harnetty, editor.
Bryan Hopkins jokingly refers to his pots as dysfunctional vessels because of their high loss rate. But he says that just comes with the territory when your goal is to push the material to its limits. In today’s post, an excerpt from an upcoming article in Ceramics Monthly, Hopkins explains his process, which includes throwing posts on the wheel, cutting them into slab sections, pressing some of the sections into bisque molds, then putting all back together in interesting constructions.
Whiskey bottles are a popular form in a lot of potters’ vocabularies – understandably because whiskey is delicious! But you also need a cup to drink the whiskey from and if you’re like Matt Schiemann, you put just as much thought into the design of your whisky cups as you do the bottle. In today’s post, an excerpt from the July/August 2014 issue of Pottery Making Illustrated, Matt explains how he designs his cups to make the whiskey drinking experience optimal! He also shares his glaze and slip recipes! – Jennifer Harnetty, editor.
New Video Release! This video offers a look into the world of wood-firing potters, who use ancient, labor-intensive techniques to achieve stunning surfaces on their pots. Join potter and Chair Elect of the Potters Council Advisory Board Kevin Crowe, apprentice Krista Loomans, and their crew as they complete a four day kiln firing of nearly 2000 clay pots.
CLICK HERE to learn more about the video.
Throwing really large pots, and trimming them, is hard work. This is especially true when your pot gets to be several feet tall and you need to keep your arms and hands steady as you stand to finish your pulls. In today’s post, an excerpt from the June/July/August issue of Ceramics Monthly, Jim Wylder shares the tool he invented to lend a helping hand. PS. To see an adaptation to this tool, which can help with even glaze or slip application, check out the June/July/August 2014 issue of CM!- Jennifer Harnetty, editor.
Throw, Cut, and Paste: Combining Wheel Throwing and Handbuilding to Create Distinctive Vibrant Forms
Potter Joan Bruneau wanted a little more lift from her thrown vase forms, but pesky old gravity was keeping the bottoms looking static. So she started to think of other ways she could make more gestural forms and came up with what she calls her “cut and paste” technique. Today, Joan shares that technique with us.