I haven’t made a jar in a while and when I saw Bill Wilkey’s article in the November December 2014 issue of Pottery Making Illustrated, I remembered how much I enjoy making them. It is a fun exercise to make two-part pieces and find ways to make the components hang together visually.
Bill’s jars do this perfectly. From the soft squaring off of both the jar and lid, to the slightly arching rim that echoes the arches on the feet of the jar, every detail is considered to make a cohesive whole. In today’s post, Bill walks us through his jar-making process.- Jennifer Harnetty, editor.
PS. To see Bill’s decorating technique, check out the November/December 2014 issue of Pottery Making Illustrated!
When Sam Chung stumbled across a book of Korean Cloud motifs, he decided to explore pairing them with traditional Korean pottery forms, and his cloud series was born.
In today’s post, an excerpt from the November 2014 issue of Ceramics Monthly, Sam shares his wheel throwing and altering process, which results in pots that look like they are peering out from behind puffy clouds.- Jennifer Harnetty, editor.
PS. Check out the November 2014 issue of Ceramics Monthly to see Sam’s China Painting process, as well as his liner glaze recipe.
Plates have to be one of my favorite pottery forms to make. I love the big open canvas for decoration and the fact that they can double as wall art if you so desire. Because they are so much fun, though also deceptively challenging, we decided to put together a compilation of plate-making techniques from several different artists. In today’s post, I am sharing an excerpt in which Forrest Lesch-Middelton demonstrates a great way to make a beautiful altered rim on a large plate. Gorgeous. – Jennifer Harnetty, editor.
Forrest Middelton makes the largest wheel-thrown plate on the compilation, beginning with 12.5 pounds of clay, and gives great advice on how to center this much clay without wrecking your wrists. Then he shares how he uses a process similar to how he throws cylinders to make a plate with a wide rim that can be darted and altered. He finishes it all off with his signature screen printed image transfer.
In today’s post, Deborah Schwartzkopf, a master at designing beautiful non-round functional pottery, shows us how she makes her dessert bowls. The clip is an excerpt from her utterly inspiring new DVD Pieces and Patterns: Complex Forms from Handbuilt and Wheel-Thrown Parts, which is now shipping!! Enjoy!
In today’s post, an excerpt from his DVD Lively Forms and Expressive Surfaces (which is now shipping by the way!!), Mark Peters shares a new twist that he came up with for faceting pots. By making the cuts while the pot is still cylindrical and adjusting the way the wire moves through the clay, Mark creates an interesting alternative to the typical faceted surface.
In this edition of the Ceramic Arts Daily Presents video series, Ben Carter shares his methods for integrating surface design with altered wheel-thrown and handbuilt pottery. Referencing pillows, tufted furniture, and quilts, Carter imbues his pots with softness in a variety of ways—from altering freshly thrown pots to create volume, to stretching soft clay into foam slump molds. Using this overfilled aesthetic as a metaphor for the comfort of southern hospitality, he complements the soft forms with slip and underglaze decoration using sgraffito, slip trailing, and painting techniques.
Sets are a great way to have fun with form, and a wonderful project if you like to make animated work. Jen Mecca sees her salt and pepper shakers as characters that need to interact and relate to one another. In today’s post, Jen shares her method for wheel throwing and altering the salt and pepper shakers, as well as how she embellishes them with various “costumes” such as sprigs and finials. – Jennifer Harnetty, editor.