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Tagged:  terra sigillata




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Super Quick Terra Sig Plus Horsehair and Feather Raku

Posted On August 15, 2014 8 Comments

Using horsehair and feathers in raku firing yields incredible marks that can’t be created in any other type of firing. But for optimal results in horsehair and feather raku, you should have a smooth surface. Marcia Selsor creates this ideal surface with terra sigillata and I loved her no-muss-no-fuss method for mixing sig. In today’s video, an excerpt from her brand new video Raku Firing: Expanding the Potential of the Raku Kiln, Marcia demonstrates this technique and a horsehair/feather firing.- Jennifer Harnetty, editor.

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How to Create Tactile Decoration with Slip Trailing, Terra Sigillata, Underglaze and Glaze

Posted On May 30, 2014 0 Comments
Making low-fire work in an electric kiln, Liz Zlot Summerfield carefully considers her surface decoration at every step along the way. In today’s post, an excerpt from her DVD Handbuilt Forms with Soft Slabs: Developing Ideas, Sketches,and Patterns into Functional Pottery, Liz shares a couple of techniques that help create surface variation that functions aesthetically… Read More »
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Less is More: Using Simple Pottery Forms as a Canvas for Playful Underglaze and Majolica Decoration

Posted On April 14, 2014 7 Comments

In today’s post, an excerpt from the November/December 2011 Pottery Making Illustrated, Courtney Murphy explains how she combines underglaze decoration over a majolica glaze to create her delightfully simple illustrations. She also throws in a couple of recipes!

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Scratching the Surface: The Terra Sigillata Clay Tile Paintings of Jenny Mendes

Posted On November 20, 2013 17 Comments

Not even Jenny Mendes herself can explain the mystery of how her imagery makes it out of her subconscious and onto her clay tile paintings. But she can explain the technical details of scratching her drawings into moist clay and layering various colors of terra sigillata to create her rich illustrations. That’s exactly what she does in today’s post. Enjoy!

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Beyond Wax Resist: Alternatives for Interesting Resist Decoration on Your Ceramic Art

Posted On December 26, 2012 6 Comments

Belgian potter Russel Fouts has done a great deal of experimenting with various “permeable” resists and today, he shares some of the results of his experimentation.

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Pottery Video of the Week: How to Mix, Decant, and Troubleshoot Terra Sigillata

Posted On May 25, 2012 11 Comments

In today’s post, an excerpt from his DVD Slabs, Templates, Texture, and Terra Sigillata, Jeremy demonstrates the mixing and decanting process for terra sigillata and shares the terra sig recipe he uses. Plus, he demonstrates how to test sig for specific gravity to make sure you get it just right. 

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Slabs, Templates, Texture, & Terra Sigillata

Posted On April 11, 2012 Comments Off

In this installment of the Ceramic Arts Daily Presents Video Series, Jeremy Randall presents the handbuilding and decorating processes he uses to create his vibrant architecturally-inspired vessels. Jeremy uses textures and asymmetry to reference aging industrial and agricultural structures. He explains his tar paper template system-including a bonus feature on using tar paper templates to sketch in three dimensions-which allows a bit of control in form, but also leaves room for alteration.

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Terra Sigillata 101: How to Make, Apply, and Troubleshoot Terra Sig

Posted On October 5, 2011 15 Comments

Terra sigillata means ‘sealed earth’ and comes from the name of a type of Roman pottery mass-produced around the first century AD. But the Romans copied the Greek technique used in their famous black and red pottery for hundreds of years before that. Here is a complete guide to making and applying terra sigillata, recipes, and troubleshooting.

 

Majolica glazing techniques allow Posey Bacopoulos to create both bold lines and areas of bright color, as in the oil and vinegar ewer set above, without the fear of having them run or blur during the firing.

The Magic of Majolica/Maiolica: How to Create Vibrant Painterly Decoration on Pottery

Posted On April 26, 2010 22 Comments

As Clay Cunningham explains in today’s post about Posey Bacopoulos, majolica is the perfect technique for potters with small studios because it requires only one glaze, a few overglazes, and an electric kiln. I am sure many of you can relate to the small studio factor, so I thought this would be a good technique to excerpt from our latest free download: Three Great Ceramic Glazing Techniques: How to Formulate Successful Crystalline Glazes, add Depth Through Carving and Layering, and Glaze in the Majolica (Maiolica) Style.

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Ceramics Decorating Video: How to Mix and Apply Terra Sigillata for Burnishing Pottery

Posted On December 18, 2009 32 Comments

In today’s video, an excerpt from her new DVD Pit Firing and Burnishing, Sumi von Dassow demonstrates how to mix and apply terra sigillata to burnish into a beautiful sheen.