It is a very exciting time to be a ceramic artist. There is a wealth of information available to help you do virtually anything you can dream up with pots. This is especially true when it comes to image transfer. Over the years, artists have been experimenting and discovering new ways to get imagery onto pots using high-tech and low-tech methods. In today’s post, an excerpt from our new book release Image & Design Transfer Techniques, Martina Lantin explains a fairly low-tech way to use a photocopy or laser print out to transfer a pattern onto a pot.
I admit it. I completely lack the patience (and, since I am being honest here, I might as well just say it: skill!) to do detailed drawn decoration on my pots, so I am really awed when I see other potters pulling off intricate imagery. Such was the case when I saw Terri Kern’s work in the November 2010 issue of Ceramics Monthly. Today, I am sharing that recent Ceramics Monthly article so that you can all share my awe.
Ceramic art consists of two major components: surface and form. Either one can make your sculpture or pot a success or a failure. In Surface Decoration Techniques, you’ll discover a wealth of information about how to approach the surface of your ceramic surfaces through a wide variety of techniques from more than 30 professional clay artists with decades of experience. Each approaches the surface from a different perspective, with different tools, at a different stage in the process, with different results—so the results for you are greatly expanded!
Painting a repeating pattern on a round vessel presents challenges. To be convincing, the pattern needs to expand proportionally with the roundness of the pot. Tony Merino wanted to do this, but really wasn’t too excited about revisiting high-school trigonometry class. So he set out to find an easier way, and he did. In today’s post, an excerpt from the September/October 2014 issue of Pottery Making Illustrated, he (and co-author Pam Luke) share the process.- Jennifer Harnetty, editor.
In today’s video, an excerpt from Layered Surfaces (which is now shipping!), Erin Furimsky slip trails some patterns on a piece, then paints a couple of layers of different colored underglazes on top. After everything dries to bone dry, she sands and scrapes away at the layers creating an effect similar in appearance to weathered and worn layered paint. And it is gorgeous. Check it out!
How to Test, Tweak, & Perfect Your Glazes with John Britt
In this all-new Ceramic Arts Daily Presents video, John Britt lets you tap into his encyclopedic knowledge of ceramic glazes to build your own understanding of this complex topic. Starting with glaze testing—because testing is key to understanding raw materials and ceramic processes—John explains various testing methods that will help you get great results quickly. On disc two, John geeks out on materials, diving into the three basic components of a glaze—fluxes, glass formers, and refractories—and how various ceramic materials fit into those categories and work together to produce myriad outcomes. With this video, you’ll be able to deepen your understanding of glaze chemistry and improve your glazes at your own pace.
In this edition of the Ceramic Arts Daily Presents video series, Ben Carter shares his methods for integrating surface design with altered wheel-thrown and handbuilt pottery. Referencing pillows, tufted furniture, and quilts, Carter imbues his pots with softness in a variety of ways—from altering freshly thrown pots to create volume, to stretching soft clay into foam slump molds. Using this overfilled aesthetic as a metaphor for the comfort of southern hospitality, he complements the soft forms with slip and underglaze decoration using sgraffito, slip trailing, and painting techniques.
Create elegant pots!
In this latest video by master potter Adam Field, you’ll learn all the secrets to master strong throwing techniques through a series of demonstrations, as well as how to render beautiful carved surfaces. By the end of the video, you’ll have the knowledge to use these techniques to create your own elegant pots.
Although bright colors have become just as easy to achieve at cone six as they are at cone 06, Gail Kendall still prefers the low fire approach, inspired by the casual decretive style of peasantware from Europe and Great Britain. In today’s post, Gail explains her techniques for creating simple and beautiful slip-decorated surfaces. She also shares her slip and glaze recipe. – Jennifer Harnetty, editor.