While in graduate school, Elizabeth Sparks became interested in traditional slipware pottery. So she tore through books and magazines to learn about the technique. She combined that research with an interest in using local raw materials. In today’s post, she shares her slip dotting and feathering techniques.- Jennifer Harnetty, editor.
Ben Carter thinks about design at every stage of the game when making pots. When he is throwing and altering, he is specifically considering the decoration that he will apply later.
In today’s video, an excerpt from his brand spanking new DVD Design for the Soft Surface: Throwing, Handbuilding, and Slip Decorating, Ben shows how he uses slip trailing, sgraffito, and underglaze painting in his work, and explains the thought process in deciding where the marks go. Though Ben works with earthenware at the low end of the firing range, but the colored underglaze technique can be used at any temperature range with a suitable transparent overglaze.- Jennifer Harnetty, editor.
Slip trailing is a lovely way to add dimensionality to your work. And it is super simple to prepare your slip from your own clay body. In today’s clip, an excerpt from her DVD Layered Surfaces, Erin Furimsky explains how to prepare slip for slip trailing, plus gives a bunch of tips on how to get the most out of your slip trailer.
In today’s post, an excerpt from our newly updated free download Five Great Pottery Decorating Techniques: A How-to Guide for Decorating Ceramics with Slip Transfers, Chinese Brush Techniques, Ceramic Slip, Sgraffito, and More, he describes the tools and techniques he uses to re-create one of Mother Nature’s most distinctive textures.
When many potters or ceramic artists think of slip, they think of it as the “glue” that is used to attach one piece of clay to another. But slip is one of those ceramic items that has many different functions – from slipping and scoring, to slip casting forms to decorating, slip is an essential tool for the pottery studio.
In today’s video, an excerpt from Layered Surfaces (which is now shipping!), Erin Furimsky slip trails some patterns on a piece, then paints a couple of layers of different colored underglazes on top. After everything dries to bone dry, she sands and scrapes away at the layers creating an effect similar in appearance to weathered and worn layered paint. And it is gorgeous. Check it out!
There is no shortage of application techniques using ceramic underglazes. Laura Kukkee creates her decoration with underglazes on newspaper then transfers it to a freshly rolled clay slab. She also builds up layers of different colored slips and underglaze decoration on newsprint to create a very thin slab. Then she cuts the slab into pieces and uses an appliqué technique to apply the decorated pieces to pots. She also demonstrates silk screened and inlaid appliqué.
In today’s video, Tom Shafer demonstrates five different decorating techniques with colored clay slip. If you’ve grown tired of working only with glazes, these tips are a surefire way to wake up your surfaces.
To fully integrate the glazes with the form and surface, Emily Reason adds texture through both additive and subtractive methods. Today I am presenting an explanation of her slip trailing and carving techniques. We’ll also show you the homemade tool she uses to create the “pleats” on her pots.
In today’s video, Mary Cuzick demonstrates her carving and slip trailing techniques. Workshops (and conferences like NCECA) are such wonderful tools for rejuvenating one’s artistic practice and learning new skills, so I thought sharing a workshop video was a fittin.g way to wrap up our Education Week coverage