There are lots of ways to create texture on pottery, the most obvious being stamping the malleable surface. But Lisa Naples creates beautiful random texture on her work with slips of varying consistencies. In today’s post, an excerpt from her our compilation DVD Handbuilding: Texture and Surface, she demonstrates how her thin, thick, and thicker slips can build up different textures creating lovely surfaces.- Jennifer Harnetty, editor.
In today’s post Lyla Goldstein takes us step by step through her cup and saucer making process, starting with throwing the pieces on the wheel and finishing with her colored slip and sgraffito decoration (which would also work well with commercial underglazes).
With a seamstress mom and a quilting grandma, Colleen Riley was surrounded by textiles growing up so it makes a lot of sense that her clay surfaces resemble fabric designs. In today’s post, an excerpt from the January 2013 issue of Ceramics Monthly, Colleen explains the techniques she developed for creating surfaces that resemble batik fabric.
Today, Robin Hopper explains how you can achieve many different types of surface decorations and patterns in a short period of time using only a simple slip trailer. Plus he shares a basic engobe recipe.
Using thick slip as a decorative device is an exciting way to retain the appearance of malleability in a finished fired work. In today’s video, Steven Hill demonstrates his slip decoration process, and explains how it informs his glazing process.
Pottery Decorating Video: Using Fiber, Slip and Soft Clay to Make Beautiful Marks on Pottery and Ceramic Sculpture
In this clip, Robin goes over a couple of surface decoration techniques; one involving clay slip and fiber, and the other involving soft clay. As usual, Robin provides an excellent, clear explanation of these nifty little techniques and should inspire you to go directly to your studio at the first opportunity!
When many potters or ceramic artists think of slip, they think of it as the “glue” that is used to attach one piece of clay to another. But slip is one of those ceramic items that has many different functions – from slipping and scoring, to slip casting forms to decorating, slip is an essential tool for the pottery studio.
I love the surfaces of Jason Bige Burnett’s pots. They remind me of the Sunday newspaper cartoon transfers I (and probably a lot of you out there) used to do with Silly Putty as a child. Interestingly enough, Jason uses a transfer technique involving newspaper (but not Silly Putty) to make some of the marks on his surfaces. In today’s post, an excerpt from the September/October 2011 issue of Pottery Making Illustrated, Jason shares this super fun technique.
In today’s video, Tom Shafer demonstrates five different decorating techniques with colored clay slip. If you’ve grown tired of working only with glazes, these tips are a surefire way to wake up your surfaces.