If you are someone who likes to combine throwing and handbuilding to make interesting forms, today’s video is for you. In this clip from Deborah Schwartzkopf’s Pieces and Patterns: Complex Forms from Handbuilt and Wheel-Thrown Parts, she demonstrates how she makes the super cool bottoms of her cup forms with a slab and a bisque fired mold. She then skillfully attaches the base to a bottomless wheel-thrown cylinder, which she then darts and alters to make the shape just right. The best part about this is that once you make the bisque mold for the recessed foot, you can repeat it over and over again!
Slip casting is a facet of ceramics that I am dying to explore. I love the idea of making multiples and exploring different surfaces on them. But I hadn’t thought much about the potential for decoration when colorants are added right to the casting slip. That is until Andrew Gilliatt came to town to film a DVD with us. Andrew does great work with colored casting slips and then adds even more surface detail with a variety of resists and decals. In today’s post, an excerpt from his new DVD Layers of Color: Exploring Form and Surface Pattern in Slip Cast Pottery, Andrew demonstrates how to incorporating colored slip right into the surface design.
Molds are a simple way to create simple or complex forms that allow you to make multiple copies of a form with little effort. When you do this, the individual forms lose their preciousness, which allows you the freedom to creatively experiment. And as you build a library of forms, you’ll find even greater flexibility as you cut and reassemble shapes in any number of configurations. Guy Michael leads you step-by-step through the entire mold making and slip casting process. By the end of his demonstration, you’ll understand the principles of making both single and multi-part molds as well as how to make your own slip and successfully cast pieces.
Building in a Box: Combining High-Tech Computer Modeling and Low-Tech Slip Casting Techniques to Make Intricate Modular Work
Though Eliza Au begins her process using three dimensional computer modeling and Computer Numerical Controlled milling, it all comes together in a good old wooden box. In today’s post, an excerpt from the March 2012 Ceramics Monthly, Eliza shares her process and casting slip recipe and author Amy Gogarty tells us a bit more about the work.
(Slip) Cast Party: Creating Unique Double-Walled Forms Using Mold Making and Slip Casting Techniques
Today, Hiroe Hanazono shares her process for slip casting double walled forms, from making the pattern and the mold, to the casting part. See more great slip casting projects in our free download Ceramic Mold Making Techniques: Tips for Making Plaster Molds, Slip Casting, and Decorating Clay,
Layers of Color: Using Different Colors of Casting Slip, Resist Patterns and Decals to Create Graphical Pottery Surfaces
Today, Andrew Gilliatt explains how he arrives at his super fun surfaces by adding color in stages with colored casting slip, glaze, and decals. Plus, he shares his casting slip and a couple of glaze recipes!
Why would someone who has spent most of his adult life pursuing excellence in handmade pottery enthusiastically pursue mass production? That’s the question David Pier asked himself when he faced the conflict of wanting to meet high levels of craftmanship and design, but still keep the pricing on his pots affordable. In today’s post, David tells us all about his forays into mass production.
Canadian artist, Wendy Walgate comments on a culture of acquisition with brightly colored, slip-cast, and assembled sculptures
Ceramic artist Valerie Zimany explains how to make a casting slip out of the clay body she uses and gives some handy tips to remember when working with molds and clay.
Using Slip Casting, Handbuilding, Press Molding and Throwing Techniques to Create Complex Sculptures
Today we are giving a sneak peek of the upcoming November issue of Ceramics Monthly magazine, which features ceramic artist Valerie Zimany. Readers of Ceramics Monthly might remember Valerie’s work from the 2008 Emerging Artist issue back in May. Valerie creates her abstract ceramic sculpture using a variety of techniques and she explains those to us below. She also shares her a recipe for a “super-stick-em-up” slip, which really helps in assembling her complex pieces.