For Brenda Lichman, form and surface go hand in hand. She accentuates her soft, simple forms with thick porcelain slip and then further accentuates the volume by pushing out from the inside. The results are forms that almost look like they have been froze mid-motion.
In today’s post, an excerpt from the December 2014 issue of Ceramics Monthly, Brenda explains this process. – Jennifer Harnetty, editor.
PS. Make sure to check out the December 2014 issue Ceramics Monthly to read Brenda Lichman’s article discussing her functional work. Lichman also shares more information about her soda firing process, including slip and glaze recipes.
When Sam Chung stumbled across a book of Korean Cloud motifs, he decided to explore pairing them with traditional Korean pottery forms, and his cloud series was born.
In today’s post, an excerpt from the November 2014 issue of Ceramics Monthly, Sam shares his wheel throwing and altering process, which results in pots that look like they are peering out from behind puffy clouds.- Jennifer Harnetty, editor.
PS. Check out the November 2014 issue of Ceramics Monthly to see Sam’s China Painting process, as well as his liner glaze recipe.
Today, Gwendolyn Yoppolo explains what porcelain will put up with
from the wet phase to the bone dry phase. Plus, don’t miss the
March/April issue of Pottery Making Illustrated in which Gwendolyn
explains how to make her sweet little juicers (like the one shown
No matter what Lorna Meaden says, I’d call the bowl she is throwing in this clip a large bowl, rather than a medium sized bowl – especially since it is porcelain. But as she points out, it took 25 years to be able to call this bowl medium sized. – Jennifer Harnetty, editor.
Karen Swyler takes a subtle approach to her glazing, juxtaposing raw white porcelain
surfaces with ribbons of shiny clear-glazed lines or small accents of
color. Today, in an excerpt from an upcoming Ceramics Monthly profile, she explains her less-is-more glazing technique.
Throwing and handbuilding are at the core of all studio ceramics techniques. Through imagination and experimentation, some of the most skilled artists and craftsmen can take these basic techniques and often produce extremely creative works of art. With practice and patience, the coil pot or tall narrow form can become works of art suitable for galleries and collectors.
In this installment of the Ceramic Arts Daily Presents video series, Meredith Host shares her techniques for creating wheel-thrown pottery to which she adds colorful underglaze decoration. Meredith throws several of her forms, explaining tips for success with each one. After the throwing demonstrations, Meredith leads you step-by-step through her decorating technique where you’ll discover that getting colorful surfaces can add a whole new dimension to your pottery.
This book is an introduction to the use of additions in clay bodies, from hard materials like stones and glass to combustible matter, fiber, metals and color. It looks at the work of a range of contemporary international makers who are using additions to create remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen reveals a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice.
Think thin porcelain. Now think even thinner porcelain and you have the plates of Christina Bryer. These translucent plates are a slip-casting marvel but not nearly as impossible to make as you would think. In today’s post, an excerpt from the April 2013 issue of Ceramics Monthly, Christina walks us through the process of making her delicate platters. – Jennifer Harnetty, editor.