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December 1, 2009

In Electric Firing: Creative Techniques you’ll discover the contributions of studio artists who use electric kilns. They eagerly share the results of their experiments, their research and their artistic successes. Build on what they’ve learned through the up-to-date information on processes, glazes, tools, materials and techniques they provide.

May 20, 2009

To achieve complete combustion, the exact proportions of fuel and oxygen are required with nothing remaining. In a gas kiln firing this is often difficult to attain because of the many variables in fuel and oxygen (which is derived from the air) and the equipment used to mix the two.

May 14, 2008

After high firing in a gas kiln for 25 years, Wickford, Rhode Island, potter Harry Spring was forced by circumstances to switch to electric. This was quite an adjustment, as Spring had come to depend on the serendipitous effects that are part of the magic of reduction firing. But, adjust he did. Today he shares with us some of the adjustments he made that have made switching to oxidation firing a fun challenge rather than a burden.

January 1, 2008

Ceramists choosing to work in home studios are praising the safety, convenience and economical benefits of the electric kiln. Now in its third edition, Electric Kiln Ceramics helps the ceramist create work exclusively intended for firing in the electric kiln. This valuable guide is an exhaustive review of clays, glazes and techniques designed to benefit the seasoned professional, as well as the less technically educated beginner. Renowned ceramist and respected author, Richard Zakin provides information on kiln construction, routine maintenance, loading and firing, the influence of firing temperatures and the application of oxidation surfaces. State-of-the-art health and safety concerns are also addressed, including the kiln atmosphere and the strengths and weaknesses of the oxidation atmosphere. Recipes for commercial and homemade ...