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November 12, 2008

There is a reason that making tiles and installing them are separate professions. There are entirely different skills and tools required. Then again, us clay folk tend to be pretty handy do-it-yourselfers (or know someone who is). In fact, I think hiring someone to do work we could learn to do ourselves is almost always our last choice. So, to that end, we are following our last feature on designing tile and making a maiolica mural, by showing you how Donna Rozman mounts and installs her ceramic tile murals. Figures 1 through 4 illustrate designing the tile in Part 1. In figures 5 through 8 presented here, Rozman covers mounting and hanging the mural. So hit the hardware store ...

November 10, 2008

One of the best ways to make a large, complex piece of work is to break it down into its component parts and tackle them one by one. Suddenly, it's not one big project, but several smaller projects that are not quite as daunting. In this first of a two-part series, Colorado ceramic artist Donna Rozman shows us a variation on this approach: how to start simple and end up with a complex result. Her technique for ceramic tile design is both simple and effective, and it's a great exercise in generating new ideas.

April 14, 2008

After we ran last week’s feature “Making Multiples: Cavity Molds for Handmade Ceramic Tiles,” we received an inquiry from a reader about making tiles for an outdoor installation. The reader wanted to know what type of clay she should use to ensure that the installation would withstand great temperature fluctuations. To address this question, we decided to go to someone with a lot of experience in this matter: DeBorah Goletz. In 1998, DeBorah was commissioned to design and install a series of ceramic tile murals for the Sheepshead Bay Road subway station in Brooklyn. For this, DeBorah needed to do much testing to be sure the murals would survive New York’s hot, humid summers and its bitter cold winters. In ...