Chrome oxide or Cr2O3 is a common studio material that can help produce beautiful colors in the kiln. But it can be quite challenging to perfect. So, in the November 2012 Technofile department in Ceramics Monthly, John Britt, one of our expert glaze guys, gives the low down on how to get chrome right. As you’ll see, with a little know-how, chrome can produce great results. In today’s post, I am sharing an excerpt from that Technofile article and a few great cone 6 chrome glaze recipes.
Lindsay Scypta’s pots are intricately textured with stamps and sprigs and glazed with runny glazes that enhance these textures beautifully. All of this requires careful planning, which begins when the pots are still on the wheel. In today’s post, an excerpt from the December 2014 issue of Ceramics Monthly, Lindsay explains her glazing process and shares one of her Cone 6 glaze recipes.
PS. Check out the December 2014 issue of Ceramics Monthly, to learn more about Lindsay’s stacking sets and see more images of her work.- Jennifer Harnetty, editor.
I have to admit, I am somewhat organizationally challenged. It’s not that I don’t love being organized, it’s that sometimes I can’t keep up…yeah, that’s it. I’ll blame it on being busy!
This carries over into my studio way more than I would like. Again because of the limited time I get to spend there. I’d much rather make work than spend time organizing! So things aren’t set up in the most efficient way, glaze recipes and notes are scattered amongst various sketchbooks and scraps of paper. You get the picture.
So I am extremely excited by our latest development here at CAD – CeramicRecipes.org – not just because it is the beautiful result of lots of hard work by our team, but also because I am sincerely excited to use it! In addition to containing tons of glaze recipes that you can search in a number of intuitive ways, the site also has tools that will help you have organized access to your favorite glaze recipes wherever you are (it looks great on a phone!).
In today’s post, I thought I would share a couple of our video tours of CeramicRecipes.org to show how useful it really is. Plus I’m including a glaze recipe I found on the site that looks pretty cool! Enjoy, and I hope you find it helpful in your studio. – Jennifer Harnetty, editor.
Annie Chrietzberg explains Lana Wilson’s process for decorating pottery with colored slips and shares the clear cone 6 glaze recipe she uses to finish these pieces.
The May 2014 issue of Ceramics Monthly is out, and with it the ever popular Emerging Artists feature. 2014’s crop of artists includes 14 potters and sculptors. In today’s post, several of them share the glaze recipes they use to make their fresh and interesting work.-Jennifer Harnetty, editor.
In today’s post, an excerpt from Linda Bloomfield’s Colour in Glazes,
I am presenting a plethora of purple glazes – from low fire earthenware
recipes to mid-range and high fire stoneware and porcelain, there
should be something for everyone interested in making some purple
Recoloring a Classic: Trying New Colorants in a Classic Pottery Glaze Recipe Can Lead to Some Great Results
It’s hard not to love a good old classic glaze like a Shino or a Celadon. But sometimes you just need a change. Deanna Ranlett pushes experimentation with her students to make glaze mixing fun as well as educational. In today’s post, Deanna explains a recent experimentation on the classic glaze Falls Creek Shino. In addition to sharing how they conducted the experiment, Deanna shares the recipes and results. –
How to Test, Tweak, & Perfect Your Glazes with John Britt
In this all-new Ceramic Arts Daily Presents video, John Britt lets you tap into his encyclopedic knowledge of ceramic glazes to build your own understanding of this complex topic. Starting with glaze testing—because testing is key to understanding raw materials and ceramic processes—John explains various testing methods that will help you get great results quickly. On disc two, John geeks out on materials, diving into the three basic components of a glaze—fluxes, glass formers, and refractories—and how various ceramic materials fit into those categories and work together to produce myriad outcomes. With this video, you’ll be able to deepen your understanding of glaze chemistry and improve your glazes at your own pace.
Glazes are sometimes formulated to intentionally crawl and create reticulated surfaces resembling lichens, leopard coats, or lizard skin. Today, Robin Hopper presents a slip recipe and a base glaze recipes for such an effect, and gives examples of this slip and glaze combination with various ceramic colorants added.
If you’ve seen anything I have made in the last several years, you know that I’m a little bit obsessed with pale-turquoise and pale-green glazes. I can’t get enough of them. So today, I thought I would share some samples of the glazes I obsess over. Linda Bloomfield explains the chemistry behind glazes ranging from the palest yellow-greens to some terrific teals. Plus she shares loads of recipes (for all firing ranges). There are many ways to get greens and blues in ceramics, but if you’re looking for a specific hue, this will help you find the right combination. – Jennifer Harnetty, editor.