In this installment of the Ceramic Arts Daily Presents Video Series, Daryl E. Baird draws on his extensive experience working with the clay extruder to demystify this useful piece of studio equipment. A little planning goes a long way, and Baird shares a multitude of tips for creating an efficient workspace and having a high success rate with your extrusions. From installation to making custom dies, Daryl shows how to exploit the efficiency of the extruder and pair it with your own creativity to create exciting ceramic art.
Getting the perfect surface on your clay pieces is often a combination of choosing the right materials, smart timing of tasks, and knowing which is the best tool for the job. In today’s post, John Dadmun shows how to make a low-tech sanding tool to help with at least one part of that equation- Jennifer Harnetty, editor.
Fixing a clogged drain is hard work and expensive. Making a drain trap is easier and cheaper than you might think. In today’s post, an excerpt from the April 2014 issue of Ceramics Monthly, Raquel and Dan Sobel explain how to make a clay trap from inexpensive and readily available materials. Give it a try in your own studio. It could save you a lot of trouble.- Jennifer Harnetty, editor.
In today’s post, Daryl Baird shows us how to make own stamps or press molds using a great transfer technique and insulating foam. Daryl also shows us how he uses his stamp as a press mold to make tiles.
Sometimes cutting up your studio tools can reveal all new uses. And taking the extra step to make those tools and experiment with using them, can make all the difference in refining your forms. In today’s post, an excerpt from the January 2014 issue of Ceramics Monthly, Jim Wylder shares two homemade tools that have helped him achieve precision from rim to foot.- Jennifer Harnetty, editor.
Clay tools are a potter’s best friend – especially homemade tools designed to be perfect for specific tasks. Just by doing some creative searching, it’s amazing how many useful tools can be gleaned from around the home. As Deb Oliva explains in today’s post, you can use everything from beads to discarded plastic-wrap boxes to create what you need exactly when you need it. – Jennifer Harnetty, editor.
I have a long way to go to make my studio as ergonomic it should be but since I spend more hours behind a desk than behind my wheel it hasn’t been too much of a problem yet.
But if you are spending long hours in the studio, a key part of keeping yourself healthy is working in a position and posture that is comfortable. Since this can very from project to project, an adjustable table is super helpful. In today’s post, Adam Field explains how to make a great one on the cheap.- Jennifer Harnetty, editor.
p.s. This project is also demonstrated on Adam’s new DVD Precision Throwing and Intricate Carving!
In today’s post, an excerpt from the January/February issue of Pottery Making Illustrated, Janis Wilson Hughes explains how she makes custom throwing ribs. As a bonus, I’m also posting a video Janis submitted to our DIY Clay Tools contest a while back, in which she explains how to make her, affectionately titled “Bam Bam Stick.”
I am impatient when it comes to centering work on a bat on my banding wheel. But a banding wheel fitted with bat pins could make it easy peasey. In today’s post, an excerpt from the January 2013 issue of Ceramics Monthly, Jim Wylder explains how he retrofitted his banding wheel so that it accepts bats with a standard-sized holes. So smart!