I love pots with pattern and imagery and have done a lot with screen printing and stencils in my work. Lately I have been wanting to start experimenting with the variety of oxide, underglaze, and glaze pens that are on the market. In today’s blog post, I am going to share an excerpt from the PMI archives, which includes… Read More »
The Tower of London’s dry moat was recently flooded again, but not with water. This time it was with 888,246 ceramic poppies. Paul Cummins and Tom Piper, with the help of countless volunteers, created the epic installation commemorating those who served and perished in World War One. For more about this fascinating and moving project,… Read More »
In today’s post, our own Holly Goring not only includes some versatile three-ingredient base glaze recipes, but she also gives simple straightforward explanations of the chemistry behind them. If you have always wanted to experiment with your own glazes, but didn’t know where to start, this post is just the ticket. And even though these… Read More »
The truth is, I was a nerdy ceramics undergraduate student. I wanted to learn everything, right away -— and I loved my glaze calc class. No, really, I did. I took a ridiculous amount of notes and then put them all in plastic sleeves in a binder. I’m sure I tested every recipe I could… Read More »
We do a lot of thinking about and talking about the romantic side of being a potter—even those of us who are professional potters must reflect from time to time on how their days just don’t seem to reflect that same rosy story that was the original motivation for working in clay. —Sherman Hall, Editor
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Theme: Functional Tableware
Remember the rule about form following function? Well, here’s an issue that really illustrates that your forms can be highly creative and still get the job done. Annie Chrietzberg writes about Paul Donnelly’s excellent cup and saucer combinations in our featured project for this issue, and she’s joined by other equally creative takes on the idea of functional creative forms. Martha Grover demonstrates how to make a stunning lidded form, and Joan Bruneau and Arthur Halvorsen provide two entirely different takes on ways on making exciting flower holders. You’ll enjoy all four projects and much more in this issue.
Established in 1926, The Ohio State University Ceramics program is one
of the oldest in the country. The educational philosophy of the
program, which operates inside the larger graduate program in The OSU
Department of Art, encourages students to bridge the boundaries of both
concept and material. The program promotes a cross fertilization of
media and methods and places a high value on intellectual research.