There are a lot of fun tools out there for potters to use to create patterns on their work. Latex resist is an excellent one because, unlike wax, it can be peeled off, so it is great for layering. In today’s post, an excerpt from our free download Wood Kiln Firing Techniques & Tips: Plans and Instructions for Making a Wood-fired Kiln and Firing with Wood, Courtney shares her method for making glaze patterns with latex resist. Plus she shares a few of her glaze recipes!- Jennifer Harnetty, editor.
I have to admit, I am somewhat organizationally challenged. It’s not that I don’t love being organized, it’s that sometimes I can’t keep up…yeah, that’s it. I’ll blame it on being busy!
This carries over into my studio way more than I would like. Again because of the limited time I get to spend there. I’d much rather make work than spend time organizing! So things aren’t set up in the most efficient way, glaze recipes and notes are scattered amongst various sketchbooks and scraps of paper. You get the picture.
So I am extremely excited by our latest development here at CAD – CeramicRecipes.org – not just because it is the beautiful result of lots of hard work by our team, but also because I am sincerely excited to use it! In addition to containing tons of glaze recipes that you can search in a number of intuitive ways, the site also has tools that will help you have organized access to your favorite glaze recipes wherever you are (it looks great on a phone!).
In today’s post, I thought I would share a couple of our video tours of CeramicRecipes.org to show how useful it really is. Plus I’m including a glaze recipe I found on the site that looks pretty cool! Enjoy, and I hope you find it helpful in your studio. – Jennifer Harnetty, editor.
I can get lost in the sumptuous surfaces of Gail Nichols’ soda fired work. The way she skillfully “paints” her pots through the firing process is fascinating and the results are breathtaking – from the rich dimpled textures to her trademark “soda ice” blue hues. Though I have never participated in a soda firing, it rose to the top of my “must do list” after reading Nichols’ book . Now, I just need to find someone willing to share their soda kiln (sigh). In today’s feature, we bring you a couple of Gail Nichols’ recipes and techniques for soda firing.
In today’s post, an excerpt from Linda Bloomfield’s Colour in Glazes,
I am presenting a plethora of purple glazes – from low fire earthenware
recipes to mid-range and high fire stoneware and porcelain, there
should be something for everyone interested in making some purple
How to Test, Tweak, & Perfect Your Glazes with John Britt
In this all-new Ceramic Arts Daily Presents video, John Britt lets you tap into his encyclopedic knowledge of ceramic glazes to build your own understanding of this complex topic. Starting with glaze testing—because testing is key to understanding raw materials and ceramic processes—John explains various testing methods that will help you get great results quickly. On disc two, John geeks out on materials, diving into the three basic components of a glaze—fluxes, glass formers, and refractories—and how various ceramic materials fit into those categories and work together to produce myriad outcomes. With this video, you’ll be able to deepen your understanding of glaze chemistry and improve your glazes at your own pace.
In today’s post, Martha explains that her glazed surfaces, which are often mistaken for soda-fired, are actually achieved through spraying on layers of various cone 10 glazes.
Glazes are sometimes formulated to intentionally crawl and create reticulated surfaces resembling lichens, leopard coats, or lizard skin. Today, Robin Hopper presents a slip recipe and a base glaze recipes for such an effect, and gives examples of this slip and glaze combination with various ceramic colorants added.
If you’ve seen anything I have made in the last several years, you know that I’m a little bit obsessed with pale-turquoise and pale-green glazes. I can’t get enough of them. So today, I thought I would share some samples of the glazes I obsess over. Linda Bloomfield explains the chemistry behind glazes ranging from the palest yellow-greens to some terrific teals. Plus she shares loads of recipes (for all firing ranges). There are many ways to get greens and blues in ceramics, but if you’re looking for a specific hue, this will help you find the right combination. – Jennifer Harnetty, editor.
Developing your own glazes can be tricky because success depends on so many factors. In Developing Glazes, Australian ceramic artist Greg Daly aims to demystify the whole glaze development process with practical advice and complete, step-by-step instructions. A practical glaze book for clay lovers at any skill level, it’s the perfect addition to any ceramics library.