Screen printing on pots is definitely a trend these days and one of the main trend setters in this area is Jason Bige Burnett. Jason draws on his background in screen printing and graphic design to create his super fun work.
In today’s post, Jason shows how to transfer a screen printed image to a slab and then turn that slab into a simple plate. An extra cool thing about this clip is that Jason shows how you can hand color various parts of your print in a technique comparable to monoprinting. Have a look! – Jennifer Harnetty, editor.
Nesting bowls are a project I have been meaning to take on for a while. I’ve always wanted to make a set of bowls that fit nicely together like Matryoshka nesting dolls. So, I’ve been trying to figure out the best approach – handbuilt or wheel thrown. After seeing Courtney Murphy’s nifty method for making nesting bowls, which I am sharing in today’s post, I am leaning toward handbuilding. See what you think!
The cereal bowl selection at my house consists mainly of all of my reject bowls from over the years. It’s a motley crew of old, wonky pieces that make me want to reach for the nearest sledgehammer every time I open the cupboard. So I am on a mission: to replace them with more recent work that is finally feeling a bit more resolved and successful. So since I am bowl obsessed, I thought I would share an inspirational bowl video. In this clip, an excerpt from her DVD Creating Curves with Clay (which is now available ad a digital download!), Martha Grover demonstrates how she dresses up a basic ice cream or cereal bowl with curves inspired by orchids and flowing dresses. Enjoy!
What’s not to love about texture and clay? After all, it’s clay’s wonderful malleability that got us all hooked in the first place. And textured clay can work so well with glaze. In today’s post, an excerpt from her new video Low Tech Clay: High End Results, Kari Radasch shares a simple technique for creating texture on the inside of a bowl by using an easy-to-make tool and a bisque hump mold. An added bonus of this technique is that, because your mold is a hump mold, you can attach the foot right away so everything can dry at the same time, thus avoiding cracks! – Jennifer Harnetty, editor.
Combining multiple bisque molds to create stacked pots is a really fun way to explore form. A bonus is that you can stack the molds themselves before you even start on a piece to test out which forms work and which don’t. And once you have a good collection of molds in your arsenal, the possibilities for stacked combinations are practically limitless. Kari Radasch loves this way of working because it keeps her from getting bored in the studio, and it is a relatively quick way to work (good for a busy mom of two young children). In today’s post, an excerpt from her brand new video Low-Tech Clay: High End Results, Kari demonstrates one of her stacked dishes.
With their delicate undulating rims, Cheryl Malone’s seemingly paper-thin vases bear a striking resemblance to flower petals. No surprise since Cheryl is inspired by the growth patterns of plants and their similarities to the coil building process. To pull off such petal thin work through the coil/pinch process takes practice, and in an excerpt from our new release Handbuiling Techniques, Cheryl shares her secrets to making it happen. – Jennifer Harnetty, editor.
If you are someone who likes to combine throwing and handbuilding to make interesting forms, today’s video is for you. In this clip from Deborah Schwartzkopf’s Pieces and Patterns: Complex Forms from Handbuilt and Wheel-Thrown Parts, she demonstrates how she makes the super cool bottoms of her cup forms with a slab and a bisque fired mold. She then skillfully attaches the base to a bottomless wheel-thrown cylinder, which she then darts and alters to make the shape just right. The best part about this is that once you make the bisque mold for the recessed foot, you can repeat it over and over again!
Lana Wilson is known for her textured surfaces and she has some pretty fun ways of coming up with said texture. Take for example her “drop technique tiles.” Looking at these, it is a little bit difficult to figure out exactly how the soft-edged texture was created. The good thing is, in today’s post, an excerpt from her new DVD Handbuilding with Color and Texture, Lana demonstrates this unusual technique!– Jennifer Harnetty, editor.