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In this installment of the Ceramic Arts Daily Presents Video Series, Martha Grover demonstrates how she creates her signature curvy forms from wheel thrown and handbuilt parts. She shows how to make six examples of her elegant forms (plus a bonus project!). In addition, Martha explains her meticulous glazing process.
Gail Kendall has a fantastic ability to manipulate clay that seems too soft to form with. Time and time again during the filming of her new video From Plate to Tureen: Slab and Coil Building, I thought to myself “there’s no way that is going to work!” But time and time again, Gail pulled off what I thought was impossible! In today’s video, Gail demonstrates the unconventional method she uses to make trays and platters with what she calls faux feet. I love the low-tech simplicity of this method – all you need are a slab, a coil, and your hands (plus lots of practice to get it to work with such soft clay!). – Jennifer Harnetty, editor.
I first saw (and held) Birdie Boone’s belly-bottomed pots at an NCECA exhibition a couple of years ago, and I absolutely fell in love with them. Not only were the soft subtle colors contrasting with red clay body beautiful, but they felt so good in my hand because of the rounded bottom. In today’s post, Birdie explains the handbuilding techniques she developed for these pots, and the smart way she fires them to avoid slumping. – Jennifer Harnetty, editor.
When I first saw Blair Clemo’s work, I figured the ornate surfaces were developed with sprigs that were attached after the pieces were thrown. In fact, the ornamental elements are a part of the structure of the pieces. In today’s post, Blair explains how he handbuilds with decorative sprigs and forming molds, and then finishes them off on the wheel. Ps. Next week, Blair is coming to town to film a how-to video of this interesting process!- Jennifer Harnetty, editor.
In Today’s post, Shoko Teruyama explains how she creates her forms using coils and slabs over bisque molds. Plus she shares how she coats her pieces with slips and carves intricate drawings into them revealing the red earthenware clay underneath.
Today, in an excerpt from the November/December 2010 issue of Pottery Making Illustrated, Arthur Halversen takes us through the coil building process he uses to construct his flower brick forms. He also shares his recipe for the frosting-like glaze he uses – the icing on the cake, as they say. – Jennifer Harnetty, editor.
Chris Campbell has been working with the colored clay for twenty years and, as she puts it, has not “come close to trying everything I want to do…there always seems to be another question, another idea. It’s just so much fun.” Today Chris joins us to help spread the fun with a simple colored clay project. Even though the project only starts with two different colors of clay, by mixing different proportions of the two colors, and arranging the results in different patterns in a loaf, surprisingly intricate patterns can be developed.
Today’s video is an excerpt from Curt Benzle’s forthcoming DVD Expanding your Creative Palette with Colored Clay (due out next month). Actually, it is a technique that we really really liked, but just couldn’t fit on the disc! In the clip, Curt demonstrates a simple way to create texture and pattern on a vessel by layering and carving colored slips. Watch the video!
We ceramic artists use plaster for everything from drying or wedging surfaces to stamps or molds for slip casting. But potter Lauren Sandler has been making hump molds for her work out of unfired clay. This way she doesn’t have to deal with the mess of plaster, doesn’t have to wait for her molds to dry and be fired, plus, if she gets tired of the form, she can reclaim the clay for some other use. Now, I don’t mean to diss our good friend plaster, but I do love the simplicity, speed, and versatility of this method.