Drawing on more than 30 years of experience in ceramics, author Vince Pitelka has created the most practical, all-inclusive studio handbook for students, studio artists, educators and all those interested in the art of clay. The ten chapters in Clay: A Studio Handbook address the full range of ceramic processes, and bring a lifetime of ceramic knowledge directly into the hands of potters. Concerned about safe and efficient studio operation, Pitelka pays diligent attention to safety practices.
As a studio artist, it is often hard to spend large sums of money, even if doing so would pay off in the long run, so glass artist Hugh Jenkins set out to determine just how well he could do with a home-built heat recuperator.
For the past few years we have utilized several forms of rapid prototyping to explore new methods of creating form. At The Ohio State University ceramics program, we have a large Techno Isel CNC (computer numerically controlled) router and a Konica Minolta Vivid 910 3D scanner, a Z-Corp 510 3D printer and a soon-to-be-operational Epilog laser cutter. In an environment where research and development are crucial activities, we willingly embrace these new technologies in search of a balance between traditional craft and industrial practice.
The old adage that time equals money is especially true in any labor-intensive activity. Making pottery is certainly an endeavor that requires direct labor to produce pottery for sale. Handmade pottery by definition requires physical attention from the potter during many stages of the operation.
The perfect resource for individuals wishing to take the next step in their involvement with clay. Written by Steven Branfman, The Potter’s Professional Handbook covers topics ranging from determining what a professional is to equipment selection, setting up shop, marketing your work, and much more. This book provides descriptions of the items necessary for a beginning professional potter and includes visual examples of items including sales slips, purchase orders, invoices, credit slips, and even floor plans of well-known potters’ studios.