With their delicate undulating rims, Cheryl Malone’s seemingly paper-thin vases bear a striking resemblance to flower petals. No surprise since Cheryl is inspired by the growth patterns of plants and their similarities to the coil building process. To pull off such petal thin work through the coil/pinch process takes practice, and in an excerpt from our new release Handbuiling Techniques, Cheryl shares her secrets to making it happen. – Jennifer Harnetty, editor.
Chris Campbell has been working with the colored clay for twenty years and, as she puts it, has not “come close to trying everything I want to do…there always seems to be another question, another idea. It’s just so much fun.” Today Chris joins us to help spread the fun with a simple colored clay project. Even though the project only starts with two different colors of clay, by mixing different proportions of the two colors, and arranging the results in different patterns in a loaf, surprisingly intricate patterns can be developed.
Today’s video is an excerpt from Curt Benzle’s forthcoming DVD Expanding your Creative Palette with Colored Clay (due out next month). Actually, it is a technique that we really really liked, but just couldn’t fit on the disc! In the clip, Curt demonstrates a simple way to create texture and pattern on a vessel by layering and carving colored slips. Watch the video!
In today’s post, an excerpt from the January/February 2010 issue of Pottery Making Illustrated, Michelle Erickson and Robert Hunter explain the important considerations potters need to make when making agateware and demonstrate throwing agateware on the pottery wheel.
You Say Neriage, I Say Nerikomi…No Matter What You Call it, Mixing Colored Clays Makes for Gorgeous Pottery Surfaces
Today Robin Hopper explains the distinction between neriage and nerikomi, as it was explained to him by Thomas Hoadley, a long time colored clay aficionado. He also explains how to create a lovely marbled rim bowl like the one shown at left.
Debra Oliva’s work is inspired by a Samurai warrior’s suit of armor, which she saw on a visit to a museum. Impressed by the combinations of grays, blacks, and browns, as well as the patterns, textures, and fine details, Debra knew she had to work these elements into her clay work. She does this by throwing in sections with different colored clays, painstakingly etching surface designs, and adding more color with underglazes and terra sig. In today’s post, an excerpt from the September 2012 issue of Ceramics Monthly (coming soon to a newsstand or mailbox near you!), Debra explains her process.
Today I am sharing a clip from Curt Benzle’s DVD Expanding Your Creative Palette with Colored Clay. In this clip, he gives tips on making colored clays from scratch. I have to admit, I haven’t dabbled much in this technique because it seemed like an such an effort to make the colored clay. But, as Curt explains, it is really not that bad, especially if you set yourself up with a segmented plaster drying bat. Easy Peasy!
In this feature, Faith Rahill walks us step-by-step through the creation of a colored block of clay that she slices and uses as an inlay pattern on a platter. This is one of those techniques that is simple and straightforward, but requires a lot of attention to detail. Luckily, Faith covers all the bases for us so that we can plan for success. Enjoy!