The malleability of clay makes it possible to bend and shape in into any shape imaginable. But as we all know, this malleability can also present challenges. In today’s post, an excerpt from Sculpting and Handbuilding, Claire Loder gives some sculpting tips and shares a couple of techniques from two ceramic sculptors.- Jennifer Harnetty, editor.
In this book you’ll find sculpting and handbuilding techniques explained with practical instructions and helpful accompanying images. Equipment, clay bodies and studio advice are thoroughly covered. Through the work of today’s ceramic artists, Claire looks at new methods of building by hand, including mixed media, sculptural methods, vessels, and surface decoration.
Support Systems: What it Takes to Make Lightweight Wheel Thrown, Altered, and Assembled Ceramic Sculptures
Making thin, curved walls out of clay requires support throughout the process. In today’s post, Wouter Dam explains how he uses foam swimming pool floats for
support during construction, and customized clay supports to get the pieces through the firing.
Helen Gilmour is interested in the relationships between traditional crafts. So she decided to make traditional pottery forms – like teapots and bowls – that look like they are knitted. The result is a form that at first glance appears soft, but on closer examination has the fired strength of porcelain. In today’s post, Helen explains the process she came up with to make these delicate looking vessels. – Jennifer Harnetty, editor.
Ceramic artist Amy Sander’s work, which includes functional pottery as well as decorative wall pieces, has the appearance of soft quilted fabric although it is made of fired clay. Today, Amy shares her process for creating patchwork ceramic wall art.
Working with clay slabs offers more opportunities than any other forming process. In Daryl Baird’s new book, you’ll find everything you need to get started from setting up a proper working space to selecting the right tools and equipment—including complete instructions for building your own slab roller—Daryl doesn’t miss any details to assure your success.
We have one of Lars Westby’s platters hanging here in our office (acquired as a Ceramic Monthly Purchase Award from the Strictly Functional Pottery National a few years back), and I love it. I keep lobbying to have it moved closer to my office (to no avail). Anyway, when we got it, I added ceramic wall pieces to my list of things I want to experiment with in the studio. Like many things, making ceramic wall pieces got pushed to the back burner, but now that I have seen Lars’ article in the December 2012 issue of Ceramics Monthly, I have a renewed interest. In today’s post, Lars explains how he makes his sculptural platters.
I realized that we were really due for a sculpture post here on CAD, so today I am featuring the work of Christie Brown. This post doesn’t only pertain to sculpture though. Christie’s techniques could easily be adapted for functional work. In today’s post, an excerpt from Ceramics and the Human Figure, Edith Garcia explains Christie’s how Christie makes her molds from Styrofoam models and then press molds and assembles her work.
It’s that time of year again. Students and teachers are heading back to school. So we thought we’d have a back-to-school sale on of our most popular DVD for the education set – Neil Patterson’s Clay Projects and Fundamentals. Perhaps the best way to gain an understanding of clay and all it’s properties is to pick up a lump and start shaping it. And modeling clay into the human form is a great way to learn about proportion, symmetry, and gesture. In today’s post, Neil takes us through a simple figure sculpting project. This project also ties in well with history and world cultures lessons.
Today, in an excerpt from her new book Wall Pieces, Dominique Bivar Segurado goes over several materials and methods for hanging ceramic wall art.