This book is an introduction to the use of additions in clay bodies, from hard materials like stones and glass to combustible matter, fiber, metals and color. It looks at the work of a range of contemporary international makers who are using additions to create remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen reveals a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice.
Spraying glazes is a wonderful way to make otherwise solid glaze colors have variation and depth, but not everyone has access to a spray booth. That’s where an atomizer comes in! In today’s bonus Monday video, Patricia Bridges demonstrates how easy it is to spray glazes with an atomizer. This technique is fantastic for those who fire in oxidation, but crave some of the variation and unpredictability of an atmospheric or reduction firing. Happy Monday!- Jennifer Harnetty, editor.
Let’s face it. We’ve all had glaze disasters in the kiln. From the mild disappointment of a glaze not turning out exactly the color you were hoping for to a glaze completely running off a piece and ruining a kiln shelf. That’s why it is so important to test our glazes. Line blends are a pretty simple and straightforward way of testing glazes that can yield a wealth of information. In today’s post, an excerpt from Developing Glazes, Greg Daly explains how to do a couple of line blends and shares some recipes you can try. – Jennifer Harnetty, editor.
I loooooove polka dots! They are such a simple decoration, but they have such wide appeal. Gail Kendall is also into dots, so she spends a good amount of time dotting her surfaces – she says it’s almost meditative to her. In today’s post, Gail demonstrates how she combines slip dots and glazes to enhance her beautiful sgraffito leaf motifs and achieve her signature look.
Developing your own glazes can be tricky because success depends on so many factors. In Developing Glazes, Australian ceramic artist Greg Daly aims to demystify the whole glaze development process with practical advice and complete, step-by-step instructions. A practical glaze book for clay lovers at any skill level, it’s the perfect addition to any ceramics library.
Ceramic glaze recipes are to potters and sculptors like candy is to a kid on Halloween. We just can’t seem to get enough! The cone 6 oxidation glaze recipes in today’s feature were contributed by Lou Roess.
I think everyone who has a passion for making pottery has experienced the heartbreak of making a great pot and then ruining it in the glaze stage. I certainly have. In fact, I think glazing and decorating is the most challenging part of this medium. So today I am sharing this video clip from Linda Arbuckle’s Majolica DVD. Not only does Linda give excellent advice and show examples for how to develop successful decoration. But she also shares a number of great technical tips for painting with majolica colors. Though this clip was condensed quite a bit for web posting, I still think it is packed with great information.
As most any potter will tell you, glazing is probably the most challenging part of making pottery. It takes a lot of practice and experimentation to get it right (and it is easy to ruin a successful pot by getting the glazing wrong).
Sarah Jaeger is one of those potters who gets it so right. In today’s video, an excerpt from her new DVD Throwing, Altering, and Glazing For Function and Beauty, Sarah takes us through the glazing process of one of her gorgeous pots (a process developed after plenty of practice and experimentation!).
Drawing on more than twenty years of experience, Kevin Petrie offers a focused analysis of the potential of ceramic transfer printing as a creative medium. He traces the history of the subject and explains the
distinctive visual qualities of a range of transfer printing methods. The materials and techniques for making versatile screen-printed ceramic transfers are explained from the ‘low tech’ to the more sophisticated. Other approaches by artist researchers are also brought together and recent developments with digital transfers appraised. A range of case studies shows the potential and diversity of approaches in this area,
which extends beyond ceramics to also include enamel on metal and glass.
Jonathan Kaplan has developed some methods with which he tweaks his glazes and his firing schedule to add some oomph to his ceramic surfaces. Today he shares his techniques for enlivening Cone 6 glazes and some of his favorite Cone 6 ceramic glaze recipes.