When you make animated pots, you have to be sure the glazing and decorating complement the movement in the form. Nick Joerling does this beautifully on his pots by creating simple wax resist brush decoration to contrast with different glaze layers. In today’s video, Nick demonstrates this technique, plus he explains how he can approximate a salt-fired surface but using gravity to vary the glaze thickness. Awesome! – Jennifer Harnetty, editor.
Ceramic stains and underglazes mixed with water painted on unfired white-glazed bisque is pretty similar to watercolor painting on paper. The main difference is that the glazed bisque surface absorbs the color and water mixture more quickly. But once you get used to that, you can create beautiful watercolor-like surfaces. In today’s post, an excerpt from the July/August 2014 issue of Pottery Making Illustrated, Laurie Curtis shares her simple technique.- Jennifer Harnetty, editor.
In this installment of the Ceramic Arts Daily Presents video series, Liz Zlot Summerfield demonstrates her techniques for making handbuilt functional pottery with soft slabs and energetic surfaces. Liz explains how to develop interesting forms and the how to effectively use various materials to develop a creative look and feel for the surface. You’ll enjoy the easy-to-follow step-by-step instructions geared to clay lovers at every skill level.
Oribe ware is a type of ceramics that originated in the 16th century and is known for its copper green glaze and bold patterns. Ben Krupka is a fan of the experimental and playful feel of Oribe. In today’s post, Ben explains how he uses slips, wax resist, sgraffito and inlay techniques to create his own interpretation of this historical style.- Jennifer Harnetty, editor.
If you have ever experienced using a tried and true glaze in one firing and had the exact same glaze come out completely differently in a later firing. There are lots of different reasons why this could happen, but a common one is that the glaze density was not consistent from one glazing session to the next. In today’s post, an excerpt from her new DVD Flat to Functional: Handbuilding and Slip Decorating, Lisa Naples gives some great tips for making sure your glaze results are consistent.- Jennifer Harnetty, editor.
Karen Swyler takes a subtle approach to her glazing, juxtaposing raw white porcelain
surfaces with ribbons of shiny clear-glazed lines or small accents of
color. Today, in an excerpt from an upcoming Ceramics Monthly profile, she explains her less-is-more glazing technique.
In today’s post, Martha explains that her glazed surfaces, which are often mistaken for soda-fired, are actually achieved through spraying on layers of various cone 10 glazes.
In this edition of the Ceramic Arts Daily Presents video series, Ben Carter shares his methods for integrating surface design with altered wheel-thrown and handbuilt pottery. Referencing pillows, tufted furniture, and quilts, Carter imbues his pots with softness in a variety of ways—from altering freshly thrown pots to create volume, to stretching soft clay into foam slump molds. Using this overfilled aesthetic as a metaphor for the comfort of southern hospitality, he complements the soft forms with slip and underglaze decoration using sgraffito, slip trailing, and painting techniques.
Glancing at Scott Dooley’s pots, you might not immediately think there was just one glaze recipe used. But it’s true. By using a copper wash under one base glaze with a variety of colorants, Scott creates his lovely mottled surfaces. In today’s post, Scott shares his process. To boot we’ll give you the glaze recipe! – Jennifer Harnetty, editor.