The bold black and white patterns on Sam Scott’s pots look so precise that you would think he spent hours masking off the surface. But it is really much simpler than that. In today’s post, an excerpt from our free download Five Great Ceramic Glazing Techniques, Sam explains how he makes a splash with poured-on glaze decoration.- Jennifer Harnetty, editor.
To see how Sam makes this jar, download your free copy of Five Great Ceramic Glazing Techniques!
Texture can be addictive in pottery, and there are an infinite variety of tools that can be used to create texture. Of course, the best texture tools are homemade because you can really make your own mark. In today’s post, Larry Elardo demonstrates how he makes textured boards and uses them to make slab built pottery. I must experiment with this!
When I saw Linda Arbuckle’s article about die cutters in the March 2015 issue of Ceramics Monthly, I remembered how much I want a die cutter! Ever since filming Andrew Gilliatt’s DVD Layers of Color, I have coveted this tool.
In today’s post, an excerpt from the CM article, Linda explains how artists are using die cutters in creative ways in their ceramic work. I’m going to start saving my pennies so I can get one of these awesome tools soon!! – Jennifer Harnetty, editor.
I love work with pattern and imagery and have done a lot with screen printing and stencils in my work. Lately I have been wanting to start experimenting with the variety of oxide, underglaze, and glaze pens that are on the market. In today’s blog post, I am going to share an excerpt from the PMI archives, which includes tips for working with these handy tools. – Jennifer Harnetty, editor.
Slip, glorious slip. This versatile liquid form of clay can be used in a multitude of different ways to create and embellish ceramic art. One such method involves using colored slips to create a marbleized look on pottery, which is reminiscent of Staffordshire-style English marbled slipware. In today’s post, Michelle Erickson and Robert Hunter demonstrate this process..
One of my favorite handmade texture tools that Amy Sanders demonstrates on the DVD we filmed this past summer is what I like to call her “rolly line tools.” In today’s video, an excerpt from that technique-packed DVD, Amy demonstrates how to make and use these tools. So Simple, so smart.
Screen printing on pots is definitely a trend these days and one of the main trend setters in this area is Jason Bige Burnett. Jason draws on his background in screen printing and graphic design to create his super fun work.
In today’s post, Jason shows how to transfer a screen printed image to a slab and then turn that slab into a simple plate. An extra cool thing about this clip is that Jason shows how you can hand color various parts of your print in a technique comparable to monoprinting. Have a look! – Jennifer Harnetty, editor.
NEW VIDEO RELEASE!!
In this new video, Jason Bige Burnett shares his techniques for creating colorful, handbuilt pots with a graphic punch! Combining his background in printmaking and graphic design with his love of clay, Jason begins with an in-depth introduction to screen printing – from how to mix emulsion, to burning a screen in an easy-to-assemble exposure unit at home. Next, he details how to make ordinary ceramic underglazes and engobes suitable for screen printing and then shares his process for screening them onto newsprint for transferring later to clay work. He then demonstrates how he makes a number of handbuilt forms and tops it all off with an explanation of additional decorative techniques he uses in the glazing and post firing process.
In today’s post, an excerpt from the May/June 2012 issue of Pottery Making Illustrated, Kip O’Krongly demonstrates how she uses those stencils, along with slips and sgraffito to make powerful pots that explore our relationship with our food system.
Slip trailing is a fabulous technique for creating both visual and tactile decoration on pottery and ceramic sculpture. Most of the time, this technique involves trailing a design in slip onto a pot. In addition to slip trailing in the traditional way, Lisa Orr makes sweet little swirly patterns on cloth, lets them stiffen up, and then uses them to make fancy handles for the teeny tiny salt scoopers on her salt centerpieces.
In this excerpt from her new video, Lisa shares this process. I love everything about this technique, including the very idea of having a salt centerpiece as opposed to a salt shaker.- Jennifer Harnetty, editor.