One of my favorite handmade texture tools that Amy Sanders demonstrates on the DVD we filmed this past summer is what I like to call her “rolly line tools.” In today’s video, an excerpt from that technique-packed DVD, Amy demonstrates how to make and use these tools. So Simple, so smart.
Screen printing on pots is definitely a trend these days and one of the main trend setters in this area is Jason Bige Burnett. Jason draws on his background in screen printing and graphic design to create his super fun work.
In today’s post, Jason shows how to transfer a screen printed image to a slab and then turn that slab into a simple plate. An extra cool thing about this clip is that Jason shows how you can hand color various parts of your print in a technique comparable to monoprinting. Have a look! – Jennifer Harnetty, editor.
NEW VIDEO RELEASE!!
In this new video, Jason Bige Burnett shares his techniques for creating colorful, handbuilt pots with a graphic punch! Combining his background in printmaking and graphic design with his love of clay, Jason begins with an in-depth introduction to screen printing – from how to mix emulsion, to burning a screen in an easy-to-assemble exposure unit at home. Next, he details how to make ordinary ceramic underglazes and engobes suitable for screen printing and then shares his process for screening them onto newsprint for transferring later to clay work. He then demonstrates how he makes a number of handbuilt forms and tops it all off with an explanation of additional decorative techniques he uses in the glazing and post firing process.
In today’s post, an excerpt from the May/June 2012 issue of Pottery Making Illustrated, Kip O’Krongly demonstrates how she uses those stencils, along with slips and sgraffito to make powerful pots that explore our relationship with our food system.
Slip trailing is a fabulous technique for creating both visual and tactile decoration on pottery and ceramic sculpture. Most of the time, this technique involves trailing a design in slip onto a pot. In addition to slip trailing in the traditional way, Lisa Orr makes sweet little swirly patterns on cloth, lets them stiffen up, and then uses them to make fancy handles for the teeny tiny salt scoopers on her salt centerpieces.
In this excerpt from her new video, Lisa shares this process. I love everything about this technique, including the very idea of having a salt centerpiece as opposed to a salt shaker.- Jennifer Harnetty, editor.
I love using stencils in my work. I’ve tried lots of different materials as stencils, but I had never thought to use cardboard. Karmien Bowman uses cardboard for stencils to create lively imagery as well as dimensionality on her slab built pottery. In today’s post, an excerpt from From a Slab of Clay, Daryl Baird explains Karmien’s process. Having dozens of clay tools is by no means a prerequisite for slab work. But, don’t be surprised as you work on your initial projects that you start looking at the utensils in your kitchen drawers or at the hand tools in your garage and find yourself thinking, “I wonder how those would work on clay?” If so, good for you!
There is something about carving into leatherhard clay that is so satisfying. It’s probably why trimming pots is my favorite part of throwing. But using carving as a decorative tool is something I have never really explored. Until now, that is. After seeing Adam Field work, I am eager to give it a try. And after editing Adam’s DVD, Precision Throwing, Intricate Carving, which debuts today, I am equipped with a lot more knowledge on how to do it successfully! In today’s post, I’m giving you a taste of Adam’s technique and the DVD. – Jennifer Harnetty, editor. PS. Adam demonstrates how he makes his Korean-style carving tools on his new DVD!
NEW VIDEO RELEASE!
In this installment of the Ceramic Arts Daily Presents video series, Lisa Orr divulges the secrets of creating her expressive pots and sumptuous oozy surfaces. Lisa starts out with the building blocks of her forms—handmade sprig molds for embellishing, custom bisque molds for forming, and thick trailed slips as both structural and decorative elements—and then she uses them to construct and decorate four of her signature forms. She tops it all off with her glazing process, detailing how she creates her vibrant, multi-colored surfaces.
It is a misconception to think that plates are easy to make because the challenge of achieving height isn’t there. But plates can be tricky. Issues of warping and cracking can be common if you don’t know what you’re doing. So, we’ve gathered four talented artists to demonstrate how they approach making plates.
Forrest Middelton makes the largest wheel-thrown plate on the compilation, beginning with 12.5 pounds of clay, and gives great advice on how to center this much clay without wrecking your wrists. Then he shares how he uses a process similar to how he throws cylinders to make a plate with a wide rim that can be darted and altered. He finishes it all off with his signature screen printed image transfer.