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In this installment of the Ceramic Arts Daily Presents video series, Marcia Selsor draws from her extensive experience with raku firing to show a variety of techniques that can easily be done in any raku kiln. She starts out with the basics of raku, covering equipment, safety, and suitable clays and glazes for the process. From there, she moves on to preparing pots for firing with a variety of decorative techniques. Finally, it’s time to play with fire! Marcia demonstrates four exciting post-firing techniques for the raku kiln: basic raku, horsehair and feather raku, saggar firing, and obvara. If you’ve been wanting to experiment with raku and other post-firing techniques, this video will get you off to a great start!
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In this installment of the Ceramic Arts Daily Presents Video Series, Lisa Naples shares her insights and techniques on sculpting animals in clay to tell stories. She begins with a mixed media project, explaining not only the ins and outs of sculpting convincing mammal forms in clay, but also the technical issues of building clay pieces to successfully mesh with non clay materials. She also explores the process of pairing animal parts with pottery forms, creating a sculptural bird vase. In addition, Lisa shows how to make the figures come alive through her fabulous brush work and dry-brush slip application.
Pure white and wonderfully delicate, porcelain is a gorgeous and notoriously challenging clay body. In Masters: Porcelain, you’ll see the incredible work of 40 artists who have mastered the material. Curated by Richard Burkett, this collection expands and challenges traditional perceptions of what the medium can — and should — do. The work shown here represents the great diversity in practice — both technical and aesthetic — that porcelain affords the ceramists who mine its tremendous potential.
New Video Release! This video offers a look into the world of wood-firing potters, who use ancient, labor-intensive techniques to achieve stunning surfaces on their pots. Join potter and Chair Elect of the Potters Council Advisory Board Kevin Crowe, apprentice Krista Loomans, and their crew as they complete a four day kiln firing of nearly 2000 clay pots.
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As the world’s oldest clay body, earthenware is anything but outdated. On the contrary, after flipping through the pages of Masters: Earthenware, you’ll see it has never been more cutting edge. Curated by the late Matthias Ostermann and edited by Ray Hemachandra, this beautifully illustrated book reveals the tremendous imagination, innovation, and technical facility that today’s artists bring to this versatile clay body.
In this installment of the Ceramic Arts Daily Presents video series, Liz Zlot Summerfield demonstrates her techniques for making handbuilt functional pottery with soft slabs and energetic surfaces. Liz explains how to develop interesting forms and the how to effectively use various materials to develop a creative look and feel for the surface. You’ll enjoy the easy-to-follow step-by-step instructions geared to clay lovers at every skill level.
This extensive how-to book puts you in touch with all the creative potential of the extruder. With more than 50% new material, this book features new works by artists, up-to-date information on extruders, and sixteen great step-by-step demonstrations, making it a must for anyone with an extruder in their studio.
In this installment of the Ceramic Arts Daily Presents Video Series, Daryl E. Baird draws on his extensive experience working with the clay extruder to demystify this useful piece of studio equipment. A little planning goes a long way, and Baird shares a multitude of tips for creating an efficient workspace and having a high success rate with your extrusions. From installation to making custom dies, Daryl shows how to exploit the efficiency of the extruder and pair it with your own creativity to create exciting ceramic art.
In this edition of the Ceramic Arts Daily Presents video series, Ben Carter shares his methods for integrating surface design with altered wheel-thrown and handbuilt pottery. Referencing pillows, tufted furniture, and quilts, Carter imbues his pots with softness in a variety of ways—from altering freshly thrown pots to create volume, to stretching soft clay into foam slump molds. Using this overfilled aesthetic as a metaphor for the comfort of southern hospitality, he complements the soft forms with slip and underglaze decoration using sgraffito, slip trailing, and painting techniques.