Ceramic art consists of two major components: surface and form. Either one can make your sculpture or pot a success or a failure. In Surface Decoration Techniques, you’ll discover a wealth of information about how to approach the surface of your ceramic surfaces through a wide variety of techniques from more than 30 professional clay artists with decades of experience. Each approaches the surface from a different perspective, with different tools, at a different stage in the process, with different results—so the results for you are greatly expanded!
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In this installment of the Ceramic Arts Daily Presents video series, Lisa Orr divulges the secrets of creating her expressive pots and sumptuous oozy surfaces. Lisa starts out with the building blocks of her forms—handmade sprig molds for embellishing, custom bisque molds for forming, and thick trailed slips as both structural and decorative elements—and then she uses them to construct and decorate four of her signature forms. She tops it all off with her glazing process, detailing how she creates her vibrant, multi-colored surfaces.
Plates require more clay that a lot of other forms and Adam Field starts off with great tips on how to set the clay up right from the beginning to make your job easier. Throughout the demo, Adam discusses structural considerations that he takes to make his plates function as beautifully as they look. In addition he shares some nifty tips on some improvised tools he uses from items that most of us would just throw away. Rather than decorating the center part of his plate, Adam Field chooses to decorate the rim with his carving and shares the secrets to setting up his intricate repeating patterns.
If you’d like to make a large platter that isn’t round, using a slab and a slump mold can be just the ticket. Ben Carter makes this mold with insulating foam board, and creates a lovely undulating rim with sewn fabric pouches. Next Ben shares how he decorates the platter with slip, underglaze, and sgraffito, discussing subtle details like placement of motifs to move the eye around the composition to contrasting shiny surfaces with matt. Watching these techniques it is easy to imagine different ways to personalize them – the sky’s the limit!
Forrest Middelton makes the largest wheel-thrown plate on the compilation, beginning with 12.5 pounds of clay, and gives great advice on how to center this much clay without wrecking your wrists. Then he shares how he uses a process similar to how he throws cylinders to make a plate with a wide rim that can be darted and altered. He finishes it all off with his signature screen printed image transfer.
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In this installment of the Ceramic Arts Daily Presents video series, Marcia Selsor draws from her extensive experience with raku firing to show a variety of techniques that can easily be done in any raku kiln. She starts out with the basics of raku, covering equipment, safety, and suitable clays and glazes for the process. From there, she moves on to preparing pots for firing with a variety of decorative techniques. Finally, it’s time to play with fire! Marcia demonstrates four exciting post-firing techniques for the raku kiln: basic raku, horsehair and feather raku, saggar firing, and obvara. If you’ve been wanting to experiment with raku and other post-firing techniques, this video will get you off to a great start!
In this installment of the Ceramic Arts Daily Presents Video Series, Lisa Naples shares her insights and techniques on sculpting animals in clay to tell stories. She begins with a mixed media project, explaining not only the ins and outs of sculpting convincing mammal forms in clay, but also the technical issues of building clay pieces to successfully mesh with non clay materials. She also explores the process of pairing animal parts with pottery forms, creating a sculptural bird vase. In addition, Lisa shows how to make the figures come alive through her fabulous brush work and dry-brush slip application.
In this installment of the Ceramic Arts Daily Presents Video Series, potter Lisa Naples shares her love of handbuilding with earthenware. Determined to change the myth that earthenware is punky and weak, Lisa explains how this beautiful forgiving clay body is every bit as strong as its higher-fired counterparts when it is fired beyond the traditional Cone 04. In addition to covering the mechanics of good slab rolling, Lisa guides you through her straightforward soft-slab building techniques. She demonstrates how to add interest to handbuilt forms by adding texture and cutting darts to create custom shapes. In the decorating portion of the video, Lisa gives a thorough explanation of her “dry” and “wet” slip brushing techniques, explaining how they can add both beautiful texture and color. In addition, she explains how to effectively use animal imagery to tell stories on functional objects.
Pure white and wonderfully delicate, porcelain is a gorgeous and notoriously challenging clay body. In Masters: Porcelain, you’ll see the incredible work of 40 artists who have mastered the material. Curated by Richard Burkett, this collection expands and challenges traditional perceptions of what the medium can — and should — do. The work shown here represents the great diversity in practice — both technical and aesthetic — that porcelain affords the ceramists who mine its tremendous potential.