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December 18, 2009

In today's video, an excerpt from her new DVD Pit Firing and Burnishing, Sumi von Dassow demonstrates how to mix and apply terra sigillata to burnish into a beautiful sheen.

December 9, 2009

Today, in an excerpt from her new book Low Firing and Burnishing, Sumi Von Dassow explains how potter Edgeworth Barnes fires his pottery in aluminum foil saggars with great results.

October 5, 2009

In today's post, an excerpt from her new book Low Firing and Burnishing, Sumi Von Dassow explains the basics of burnishing pottery, from the tools to use, to a couple of basic techniques.

April 13, 2009

In Raku, Pit & Barrel: Firing Techniques you’ll discover some of the most beautiful alternatively fired work, as well as extensive how-to techniques and step-by-step instructions to help you duplicate the processes in your own studio. Explore dozens of techniques and discover the many special effects available using these ancient firing methods. You’ll love the experience of working with glowing red-hot pieces in a raku kiln, uncovering pots from a pit fire or peeling the aluminum foil off your latest saggar experiment.

December 17, 2008

As compared to burnishing, the act of creating a shiny surface on terra sigillata (or any clay or slip) by rubbing with soft cloth, a soft brush, or a piece of plastic film.

December 16, 2008

Ultrarefined clay slip that can give a soft sheen when applied to bone-dry wares and if polished or burnished while still damp may give a high gloss.

December 5, 2008

Very soft, pliable animal skin—when wet works well to smooth wet clay surfaces.

March 26, 2008

On Monday, we brought you Joan Carcia’s saggar-firing technique. Today, as promised, we’ll share the other secret to her success with this technique: her terra sigillata recipe. Enjoy!

March 24, 2008

This week, we will take a look at how Carcia uses terra sigillata, vegetation, oxides and salts to make her vividly colored work.