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Sarah Hahn

sehahn

Columbus, Ohio

http://sites.google.com/site/sehahn3/ 

Email: sehahn3@gmail.com

 

 


Studio Description:

My work is a reflection of past cultures, distorted by a mirror of aged antiquity, seen through a haze of modern neon lights. In this blurred reflection appear the remnants of shared beliefs, fears, joys, mistakes, angers, atrocities, and hopes. Is it possible that in thousands of years of civilization, the motives, drives, and emotions behind human behavior have remained the same; that every step forward is just a reinterpretation of forgotten pathways?

 

Currently this reflection is manifested in the appropriation of western iconic classical sculptures. In these appropriated sculptures, the ancient god, hero, or saint is replaced by a contemporary celebrity, politician, or sports figure. This is done in order to draw a parallel between the past and present cultures, and to open a dialogue on the function of these figures within each society. Throughout time these ancient figures, given form by a sculptor’s hand, represented societal virtues and foibles. These figures have functioned differently within each culture, spanning from the Greeks, to the Romans, from the popes, and up to the present. When first created, they were imbued with meaning, carefully thought out and executed in order to illustrate the intended function. Unfortunately, for most their original meaning is lost. All that remains is a hunk of marble chiseled in the form of a strong muscular male form or a seductive female figure. The same fate awaits our current icons. How long will the names of even the most notable figures remain relevant? The name of Martin Luther King Jr. be in the history books? The songs of Frank Sinatra , or Justin Bieber listened to? At what point in time will Abraham Lincoln’s likeness become just an image on the penny, or merely a large seated statue? What will these historic figures and celebrities come to represent throughout the years? Will future civilizations interpret them to be our gods and our heroes, whom we worshipped and sought after for advice, comfort, and strength? Perhaps a more telling question is whether these figures actually are our modern-day gods and heroes, and serve the same function in our current society as the Olympian gods served for the Romans.

 

By appropriating the classical sculptures and substituting contemporary figures I perpetuate the auro of the original artwork, make the names of the forgotten gods, saints, and heroes known, the ancient myths and scriptures remembered, as well as immortalize current celebrities. The sculptures are created using clay to evoke the reproductions made of the original sculptures. They are on the brink of being caricatures and include references to claymation, in which they combine the ridicule and satirical qualities with the loveable and endearing components of both genres. They are serious, humorous, and a bastardization of the original sculptures as interpreted by various contemporary viewers. It is truly unfortunate, however, that I will never know the interpretation of my intended spectators, as generations upon generations must pass before they are even born.

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