Marcia Selsor uses a surface, prepares it to react in a certain way, or reheats and erases it, to create infinite possibilities of surface decoration. She also uses flashing, fuming, smoking, and post firing chemical effects — all of which the following methods will be used at the Alternative Firing Surfaces Conference.
Potters are collectors. At least most of the ones I know are! I like to collect small objects I pick up while walking. They provide an endless source of inspiration for surface design on my posts. What do you collect and why?- Lori Leary, Potters Council Board Member
Billy Ray Mangham will demonstrate techniques for large figurative sculpture along with lessons learned over the course of 40 years of production style Raku firing. He will discuss the use of commercial glazes and underglazes, as well as his personal formulas for glazes and engobes. He is one of the presenters at Potters Council’s Alternative Firing Surfaces conference.
Have you ever been to a workshop? Who was it with and where was it? What was your experience? What did you enjoy the most. What factoid was alone worth the price of admission? – Lori Leary, Potters Council Board Member, 2013
Courtney Murphy will demonstrate both throwing on the wheel, using simple bisque molds with earthenware, with slips and sigs, decorating at the greenware stage, and decorating on top of majolica glazes on bisque using slip trailers and underglazes. She is one of the four presenters at Potters Council’s Altered Approach to Clay conference.
If you were a clay body, what would you be? Clay artists often talk about a clay bodies by giving them characteristics that people possess. Is your clay fussy? Is it dependable or reliable? Is your clay earthy? Sensual? Describe yourself as a clay body and explain why. – Lori Leary, Potters Council Board Member 2013
Jennifer McCurdy will demonstrate how altering and folding forms by hand can add movement and strength. She is one of the four presenters at Potters Council’s Altered Approach to Clay conference.
Suze Lindsay will demonstrate with thrown forms on the wheel that are gently manipulated by stacking and assembling altered forms such as vases, pitchers, and teapots. She is one of the four presenters at Potters Council’s Altered Approach to Clay conference.
What aspect of clay work gives you the most pleasure?
One of the reasons I love working with clay is because there are so many different facets to it. But if I had to pin it down to one area, it would be forming, be it throwing or hand-building. How about you?- Lori Leary Potters Council Board Member 2013
Susan Filley will share information about her glazes. She fires in a gas kiln creating rich colors and microcrystalline surface detail. Her uniquely varied forms seem to demand a wide array of glaze approaches from layered crystal mattes to the simple elegance of her opal clear. She is one of the four presenters at Potters Council’s Altered Approach to Clay conference.