Potters and ceramic artists are very open minded when it comes to their tools. The general rule of thumb seems to be, if it’s not nailed down, test it out as a pottery tool – actually, even the nailed-down things have probably been considered. So when Frank James Fisher noticed a bunch of trim scraps… Read More »
Still time to register!
One-Day Workshop with Lana Wilson, Sandi Pierantozzi, and Neil Patterson!
March 1, 2014
9 a.m. – 4 p.m.
Presented by Potters Council, Mayco & Buckeye Ceramics
Cake and flowers – two of my favorite things. It’s no surprise then, that I am particularly drawn to Arthur Halvorsen’s flower bricks. Arthur says that despite not really having a sweet tooth himself, he wanted his work to reference pastries because these treats are found worldwide and are usually associated with fun, playful events…. Read More »
Pitchers are a fun and challenging form to make and there are lots of different ways to make them. As with most of his forms, Jake Allee likes to cut and assemble his pitchers to give them a little character. In today’s video post, an excerpt from Assembly Required: Building Complex Pottery Forms by… Read More »
Sometimes cutting up your studio tools can reveal all new uses. And taking the extra step to make those tools and experiment with using them, can make all the difference in refining your forms. In today’s post, an excerpt from the January 2014 issue of Ceramics Monthly, Jim Wylder shares two homemade tools that have helped him achieve precision from rim to foot.- Jennifer Harnetty, editor.
With the new year, I’m looking forward trying new things on a regular basis and maybe trying to perfect some of the techniques that worked well in years past. Maybe you could try a lot of new things in the coming year and don’t worry about making mistakes along the way. It’ll be worth it.— Bill Jones, editor.
Free PDF download!When you put a ball of clay in your hands, you just want to start making something—it’s so natural it’s uncanny. And while equipment is used to make a lot of the pottery in the world, using just your hands or a simple paddle and rolling pin can produce awesome results! Discover how… Read More »
The January issue, for me, is always exciting. It’s the beginning of a new volume year of the magazine, and while we adjust and make improvements throughout the year, this issue is the one where it makes the most sense to implement new ideas and shuffle things just a bit more than usual.- Sherman Hall, editor.
The January issue, for me, is always exciting. It’s the beginning of a new volume year of the magazine, and while we adjust and make improvements throughout the year, this issue is the one where it makes the most sense to implement new ideas and shuffle things just a bit more than usual. —Sherman Hall, Editor.
The intricate and vibrant surfaces of Liz Quackenbush’s work are mesmerizing. They are also the result of many layers and firings. In today’s post Liz shares how she creates these incredible surfaces as well as the recipes for her low-fire clay body, glazes and overglazes. P.S. You can learn more about Liz’s work… Read More »