This definitive book on naked raku book results from years of studio work, workshop presentations, conversations, and research. Guided by Eduardo Lazo’s expertise, contributors Kate and Will Jacobson, Wally Asselberghs, Linda and Charlie Riggs, Amber Aguirre, and Dana Bilello-Barrow each describe their personal working techniques for working on the bare clay surface. These skilled and passionate teachers withhold no secrets and reveal information gathered from years of trial-and-error experimentation. The book includes virtually every aspect of naked raku as well as bare clay techniques that include masking, pit firing and fuming.
Who is eligible to join Potters Council?Whether you’re a passionate professional, an enthusiastic amateur, a handbuilder, a potter or a sculptor, Potters Council would be a great fit for you. How do I join or renew my membership with Potters Council?The Potters Council is excited that you are interested in joining or renewing… Read More »
Kari Radasch will focus on making and decorating a variety of pottery forms using earthenware clay. She will incorporate a smorgasbord of making-techniques, in addition to working with terra sigillata and best studio practices. She is the presenter at Throwing, Handbuilding, and Decorating, in Columbus, Ohio on June 7, 2014.
Wheel throwing plates can be one of the more challenging pottery techniques. It’s contrary to what you might think since they’re flat after all, but trying to center a large, wide mound of clay can be a bear. In today’s video, an excerpt from his DVD Precise Imprecision: Strengthening Throwing Skills to Create Dynamic… Read More »
One of the most encouraging signs I see that indicates people are able to address this concern is that we continue to see talented, dedicated people entering the field and making work that is personal, refined, and honest. Take a look through this year’s Emerging Artists (starting on page 45) and I think you’ll agree. For some of them, the answer is finding residencies that will allow them time and space to focus on their work, for some it’s making the most of whatever bits of time and space they can carve out at home. Regardless of the specifics, it’s clear that each of them has made a conscious choice to make clay a priority in their lives. —Sherman Hall, Editor.