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"A Walk in the Park,” 24 in. (61 cm) in height, slab-built, fabric-textured porcelain, stains, with wire and acrylics, fired to Cone 8, 1999. Because of the armatures in the figures, they are slightly moveable.

September 24, 2007

Incorporating Fabrics into Ceramics

by Ed Wargo | Read Comments (0)

In today’s Ceramic Arts Daily, Laura Peery explains how she impresses the look and feel of fabric into her ceramic art.

Background
Influences
Processes
Intrinsic Value

BACKGROUND
I have the good fortune to own a work of Laura Peery’s called “A Walk in the Park,” which over the past five years has served as a kind of free therapist. I like to grab a cup of coffee, plunk down in the oversized leather armchair and say “Big Joe, whataya know?” To which the reply is always the same: “Just a walk in the park.”

INFLUENCES
I believe that “A Walk in the Park” provides me a thread to the past, and I’ve wondered if this has something do to with how Peery creates. I’ve heard her tell the story of how as a little girl she spent time in her grandmother’s dress shop in New Orleans, especially in the attic where the alterations were done. Recently I started to wonder about “A Walk in the Park” on a much more practical level. For somebody like myself whose artistic talents are confined to the realm of paint by numbers, it is hard to imagine the steps in creating “A Walk in the Park.” So Laura, my faithful friend and porcelain confidant, how did you make these works?

092407_2_teapot-on-cushions_laura-peery.jpgPROCESSES
“I take thin slabs of soft porcelain and roll them out, impress them with fabric, and cut them out from paper patterns,” she explains. “The pieces are then joined together, taking care not to mar the textured surface. Often, thin strips are added and impressed using a dressmaker’s tracing wheel. “After bisque firing, Mason stains are rubbed in and later airbrushed onto the surfaces. Underglaze colors, lusters and unfired colors also are used.”

INTRINSIC VALUE
I’m quite confident that Peery’s work has created millions of smiles. Not the same as dollars, as I’m sure her husband has pointed out from time to time. What value do you place on your work when you know the result is that it makes people feel good? It makes them happy.

FOR MORE INFORMATION
See a term you weren’t quite sure of? Then visit the Ceramic Arts Daily Glossary. To see more of Laura’s work, visit http://creativepartnersart.com/Peery.

On Wednesday: Read about Laura Peery’s technical process for adding fabric details and surfaces into her ceramic pieces.

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