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Jar, 8 in. (20 cm) in height, thrown and altered
porcelain, soda fired. By Ryan McKerley.
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September 3, 2007
Working for Others or for Yourself…It’s a Choice
by Dennis W. Smith | Read Comments (4)
Today is
Labor Day, a United
States federal holiday that takes place annually on the first Monday in
September. The holiday began in 1882, originating from a desire to create a day
off for the "working man." At the time, Labor Day was observed with
street parades to exhibit to the public "the strength and esprit de corps
of the trade and labor organizations" of the community, followed by a
festival for the recreation and amusement of the workers and their families.
These days, Americans celebrate Labor Day with a little less
fanfare than in the past. Some cities have parades and community picnics. Many
politicians "kick off' their political campaigns by holding rallies. Most
Americans consider Labor Day the end of the summer, and the beaches and other
popular resort areas are usually packed with people enjoying one last three-day
weekend. So, what better day than today to avoid the crowds at the park and
beaches (and the shopping mall!) by staying inside and practicing your labor of
love: pottery! To help get you inspired, today you’ll read about Austin, Texas,
potter Ryan McKerley who decided some time ago to labor for himself while
choosing to enjoy the freedom of operating his own studio and setting his own
hours.
Working for Others or for Yourself…It’s
a Choice
by Dennis W. Smith
Austin,
Texas, potter Ryan McKerley is a jack-of-all-ceramics-trades; partly by
necessity—but mostly by preference. He is one of those individuals who
understands the true pros and cons of trying to sustain a living as a
functional potter. When I approached him because a position as studio manager
of our ceramics department was available, McKerley gave serious consideration
to having a regular job with salary and health benefits. After some thought, he
turned down the opportunity. He explained, “I enjoy the freedom of operating my
own studio and setting my own hours. The process of how you work can dictate
the focus of your work. In one’s own studio one can invent and dictate the
process and the environment from the beginning; where the studio is located,
how it is set up and where to buy materials. All can dictate the outcome of
your work. Being a craftsman is a way of creating my own order in my world.” An
explanation I certainly respect.
McKerley
grew up in Los Alamos, New Mexico. His father is a scientist at Los Alamos
National Laboratory. His mother is a speech therapist and author of several
children’s books. McKerley graduated from Abilene Christian University of
Texas. Starting out in his early twenties, McKerley initially joined with three
friends to form a co-op in Austin, Texas. He experimented all the time trying
to find his own voice in his work. As he points out, “Financially a co-op is a
good way to start off. It allows you to watch other people, their system and
how they work. It’s a good place for growing together and building camaraderie.
It’s a great stepping stone.”
McKerley
now prefers to work alone rather than within a co-op. As with any community,
over a length of time, disagreements will arise such as working space needs,
limited budgets and keeping the bills paid on time. All of these issues began
to create uncomfortable tensions. Basically, one can outgrow a co-op
arrangement. McKerley now rents and operates a small studio with a living space
(a total of about 1000 square feet) near downtown Austin.
In setting
up a studio, McKerley makes several recommendations to other artists. “Try to
pay attention to the demands on your body such as heavy lifting and repetitive
movements,” he advises. “Stand while you throw. Build your kiln so it is easy
to load. Be sure to spend a lot of time setting up your studio to function as
ergonomically as possible. Organize it to accommodate you and your pace of
work, and alternate your daily routine.”
I asked McKerley
what was the best advice ever given to him. “Live cheaply and keep a low
overhead, this should be a number one priority,” he replied. “I think I read
this one time in Ceramics Monthly.” I also asked McKerley about health care and
if he felt it to be an issue. As with most of us, in his infallible early
youth, McKerley wasn’t so concerned but now he recognizes the need for at least
a basic health care plan. “I finally realized if I had a major disaster I could
be screwed.” After some research he found a plan for about $85 a month.
Coming Wednesday…You’ll read more about McKerley’s
choice to work for himself and his passion for clay. As he puts explains, “I
love working in clay. My brain is just programmed to do it. I like the
flexibility of working late or sleeping late. I like buyers and my peers
responding to the work. I get responses back directly from my audience. Maker,
seller, scientist, accountant, handyman—keeps it interesting. It keeps you from
getting narrowly focused.”