When Sarah Jaeger started making her fluted serving bowls she decided to add a decorative flange about three quarters up as a way of dividing up the space for decoration. But this was one of those happy coincidences when the decoration also enhanced the function by creating a natural place for hands to rest when carrying the bowl. In today’s video, an excerpt from her DVD Throwing, Altering and Glazing for function and Beauty, Sarah explains how she makes and trims these beautiful bowls. – Jennifer Harnetty, editor.
In today’s video, an excerpt from Stephen Jepson’s DVD How to Throw Large Pots, potter Bill Gossman shows us his method for making a large vase in two wheel-thrown sections. Bill has a couple of tricks up his sleeves that I hadn’t thought of previously, such as a great technique for centering large amounts of clay. So, check it out!
Today (and this weekend) we are having a sale on one of our popular DVDs: Jake Allee’s Assembly Required: Building Complex Pottery Forms by Throwing, Altering, and Assembling. So to give you a taste of Jake’s processes, I thought I would share this clip from his Hex Jar project. The clip is a good one because not only does Jake explain the cool way he makes his quilted texture, but he also gives an excellent explanation of each step of the throwing process. If you struggle with throwing, this video is for you.
In today’s post, Deborah Schwartzkopf, a master at designing beautiful non-round functional pottery, shows us how she makes her dessert bowls. The clip is an excerpt from her utterly inspiring new DVD Pieces and Patterns: Complex Forms from Handbuilt and Wheel-Thrown Parts, which is now shipping!! Enjoy!
Throwing large bowls has been something that has dogged me for quite some time. There’s a certain size bowl that I just cannot seem to get past and while it’s ample, it is not necessarily what I would call large.
So I really like Martina Lantin’s bowl making process, which literally turns the typical bowl making technique on its head. In today’s post, Martina shares her upside-down bowl technique. Not only does this technique make larger bowls more achievable, but it opens the doors for adding gestural qualities as well. – Jennifer Harnetty, editor.
Lorna Meaden considers all the details when designing a new form. That’s why when she came up with a new mug form recently, she decided to carry her mishima decoration around the corner of the rim to the inside of the pot. But this decoration didn’t start in the decorating phase. Paying attention to every detail, Lorna decided that it would make more of a visual impact to throw an interior ridge where the mishima decoration would stop and a different glaze would take over – a beautiful touch that makes for a successful form. In this video, an excerpt from her DVD Integrating Form & Surface with Porcelain, she shows us the cool trick she came up with to make the ridge.