In today’s post, an excerpt from his DVD Lively Forms and Expressive Surfaces (which is now shipping by the way!!), Mark Peters shares a new twist that he came up with for faceting pots. By making the cuts while the pot is still cylindrical and adjusting the way the wire moves through the clay, Mark creates an interesting alternative to the typical faceted surface.
Tom Turner considers every detail on his pots, even the underside of lids. Initially, He came up with the flange system he uses to act as a counterweight on teapot lids so they would stay put when pouring tea. But he considered every last detail and realized that these flanges could be enhanced with texture. Now he uses them on all of his lidded pots. In today’s post, an excerpt from his new DVD Tom Turner: Understanding Porcelain (now available in the Ceramic Arts Daily Bookstore), he shares his technique.
In today’s video, Bill van Gilder demonstrates making a lidded jar on the pottery wheel. The beauty of this jar is that you can make the whole thing from just one lump of clay. And less centering is always a good thing, wouldn’t you say?
One of the most frustrating things you can experience as a potter is getting a bit overzealous with your trimming and trimming through a foot (face it, we’ve all done it!). Today I am sharing an excellent trimming clip from Ben Carter’s new DVD Design for the Soft Surface: Throwing, Handbuilding, and Slip Decorating. In this clip, Ben shares his fool-proof method of determining the “safe zone” for trimming, which is one of the best explanations I’ve seen.
In this edition of the Ceramic Arts Daily Presents video series, Ben Carter shares his methods for integrating surface design with altered wheel-thrown and handbuilt pottery. Referencing pillows, tufted furniture, and quilts, Carter imbues his pots with softness in a variety of ways—from altering freshly thrown pots to create volume, to stretching soft clay into foam slump molds. Using this overfilled aesthetic as a metaphor for the comfort of southern hospitality, he complements the soft forms with slip and underglaze decoration using sgraffito, slip trailing, and painting techniques.
If there is one thing I have learned from making DVDs with uber-talented artists over the last couple of years, it’s to pay attention to all the details. The details make all the difference in the world. Adam Field could stop with his intricately carved surfaces and he would have amazing pots, but he chooses to go even further and consider every additional detail from the lids to the feet. And the pots go from amazing to exquisite. In today’s clip he demonstrates one such detail (on one of the coolest lids I’ve ever seen!).- Jennifer Harnetty, editor.