What’s not to love about texture and clay? After all, it’s clay’s wonderful malleability that got us all hooked in the first place. And textured clay can work so well with glaze. In today’s post, an excerpt from her new video Low Tech Clay: High End Results, Kari Radasch shares a simple technique for creating texture on the inside of a bowl by using an easy-to-make tool and a bisque hump mold. An added bonus of this technique is that, because your mold is a hump mold, you can attach the foot right away so everything can dry at the same time, thus avoiding cracks! – Jennifer Harnetty, editor.
Combining multiple bisque molds to create stacked pots is a really fun way to explore form. A bonus is that you can stack the molds themselves before you even start on a piece to test out which forms work and which don’t. And once you have a good collection of molds in your arsenal, the possibilities for stacked combinations are practically limitless. Kari Radasch loves this way of working because it keeps her from getting bored in the studio, and it is a relatively quick way to work (good for a busy mom of two young children). In today’s post, an excerpt from her brand new video Low-Tech Clay: High End Results, Kari demonstrates one of her stacked dishes.
Lana Wilson is known for her textured surfaces and she has some pretty fun ways of coming up with said texture. Take for example her “drop technique tiles.” Looking at these, it is a little bit difficult to figure out exactly how the soft-edged texture was created. The good thing is, in today’s post, an excerpt from her new DVD Handbuilding with Color and Texture, Lana demonstrates this unusual technique!– Jennifer Harnetty, editor.
Pulling handles can be a challenging skill to master. It can be a little intimidating to try to pull them directly off the pot, but trying to transfer a handle to a pot after pulling it separately is also a challenge.
That’s why I really liked Paul Donnelly’s approach to handle making. Paul does very little pulling and does most of the shaping ahead of time. Then he lets the handles sit flat overnight. A little water rehydrates them the next day and they are ready for attaching. All of this helps Paul to make very tight, refined handles. Have a look at this excerpt from his new video! – Jennifer Harnetty, editor.
In today’s video clip, an excerpt from our latest DVD project, Clay Projects and Fundamentals: A Resource for Aspiring Clay Artists and Teachers, Neil Patterson demonstrates a stiff slab vase project. He also gives great tips for working with paper to come up with interesting designs.
I keep a lot of things in my studio that I think may one day be useful for texture or as a tool of some sort. I also cannot bring myself to throw any kind of wood in the garbage. I have a scrap collection that would be the envy of many a woodchuck. The other day, these two passions (let’s just call them passions for now) came together in a very useful way. I ran out to the garage and gathered every single dowel scrap I had and transfered them to the studio, thereby fulfilling both obsessive habits (okay, let’s call them what they really are). The reason I did this was because I watched the DVD Handbuilding with Mitch Lyons. He demonstrated a method for making cylinders that employed these dowels, and then went on to explore wonderful surface inlay and texture treatments that really got me excited about handbuilding again. And I got to use some of my scrap wood! — Sherman Hall, Ceramic Arts Daily