Suze Lindsay demonstrates the art of creating pouring vessels. You’ll learn the steps necessary to throw, alter, assemble and decorate an English style jug, handleless creamer, handleless ‘bird’ pitcher, gravy boat and saucer, a large stacked pitcher and a teapot. Suze’s easy-to-follow step-by-step instructions provide details you need to create well-designed, highly functional pots.
Using thick slip as a decorative device is an exciting way to retain the appearance of malleability in a finished fired work. In today’s video, Steven Hill demonstrates his slip decoration process, and explains how it informs his glazing process.
In today’s post, an excerpt from his DVD Slabs, Templates, Texture, and Terra Sigillata, Jeremy demonstrates the mixing and decanting process for terra sigillata and shares the terra sig recipe he uses. Plus, he demonstrates how to test sig for specific gravity to make sure you get it just right.
In this clip, Robin goes over a couple of surface decoration techniques; one involving clay slip and fiber, and the other involving soft clay. As usual, Robin provides an excellent, clear explanation of these nifty little techniques and should inspire you to go directly to your studio at the first opportunity!
In this installment of the Ceramic Arts Daily Presents Video Series, Jeremy Randall presents the handbuilding and decorating processes he uses to create his vibrant architecturally-inspired vessels. Jeremy uses textures and asymmetry to reference aging industrial and agricultural structures. He explains his tar paper template system-including a bonus feature on using tar paper templates to sketch in three dimensions-which allows a bit of control in form, but also leaves room for alteration.
In this video, Jake Allee demonstrates the various ways he cuts up and alters thrown forms and puts them back together again to make interesting vessels. Throughout the process, Jake explains the design decisions he incorporates to hold the pieces together. In addition, he explains how sketching plays a role in his work, keeping his mind engaged in the creative process.