I am in love with the surfaces Jen Allen’s pots (not to mention the forms!). While each of the techniques in today’s clip stands on its own beautifully, they are magnificent when combined.
In this clip, an excerpt from her new video Darted and Decorated, Jen shows how she creates a subtle brushstroke texture with an engobe, and then layers glaze-trailed patterns on top. – Jennifer Harnetty, editor.
Screen printing on ceramic work can produce some pretty exciting surfaces. But combining screen printing with other surface techniques, like stamping and staining, can take it a step further. Jason Bige Burnett masterfully combines screen printing with other techniques in his work. In today’s post, he explains how he uses underglazes as stains, which gather in his stamped textures and add depth to his screen printed patterns. What’s great about using underglazes for this is that the color palette is practically limitless! – Jennifer Harnetty, editor.
Slip trailing is a fabulous technique for creating both visual and tactile decoration on pottery and ceramic sculpture. Most of the time, this technique involves trailing a design in slip onto a pot. In addition to slip trailing in the traditional way, Lisa Orr makes sweet little swirly patterns on cloth, lets them stiffen up, and then uses them to make fancy handles for the teeny tiny salt scoopers on her salt centerpieces.
In this excerpt from her new video, Lisa shares this process. I love everything about this technique, including the very idea of having a salt centerpiece as opposed to a salt shaker.- Jennifer Harnetty, editor.
Ben Carter thinks about design at every stage of the game when making pots. When he is throwing and altering, he is specifically considering the decoration that he will apply later.
In today’s video, an excerpt from his brand spanking new DVD Design for the Soft Surface: Throwing, Handbuilding, and Slip Decorating, Ben shows how he uses slip trailing, sgraffito, and underglaze painting in his work, and explains the thought process in deciding where the marks go. Though Ben works with earthenware at the low end of the firing range, but the colored underglaze technique can be used at any temperature range with a suitable transparent overglaze.- Jennifer Harnetty, editor.
Using thick slip as a decorative device is an exciting way to retain the appearance of malleability in a finished fired work. In today’s video, Steven Hill demonstrates his slip decoration process, and explains how it informs his glazing process.
In today’s post, an excerpt from his DVD Slabs, Templates, Texture, and Terra Sigillata, Jeremy demonstrates the mixing and decanting process for terra sigillata and shares the terra sig recipe he uses. Plus, he demonstrates how to test sig for specific gravity to make sure you get it just right.