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In the Studio (509 posts)
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Icon   Pres retired art teacher

Posts I've Made

  1. In Topic: Second bisque firing

    Posted 19 Jun 2013

    View Post123pop, on 19 June 2013 - 06:14 PM, said:

    I guess what is confusing is ?? the water from a not dry pot is different than the water vapor coming out later when really heating up???
    There is no way these pots were not dry since I candled them also.
    Just trying to understand what is going on in the kiln. No steam on mirror at all on low... but literally wet at med???


    Remember that there are basically three types of water occurring in your pots. Mechanical water-making the clay pliable, which evaporates as the pot dries. Atmospheric water-basically the dryness the pot will get depending on humidity or your pot will get no drier than the humidity of the day. Chemical water-part of the clay formula that breaks down during firing. In most firings you will have moisture during the water smoking(lid cracked, plugs out, switches at low)this is basically the atmospheric water leaving the pot, then up to 1100F @ you will have the chemical water changes.
  2. In Topic: Those who can, do, those who can't teach

    Posted 19 Jun 2013

    So you understand my exasperation when dealing with this topic. You have more credentials than I certainly and could have made well in the "studio life". But as you say, if it fits-yeah it did for me and seems to for you. You probably also know that the extra studio areas you received to make you a "jack of all" as an art teacher did you well. That said, it is great that you have such a strong background in one medium. I wish I had had the background there, I got mine from hard knocks of solving dozens of student problems everyday for 36 years. I guess my education just took a little while longer. Point being, which you pointed out-Good teachers are great because they can. I have always said that if I had to rebuild society after an Armageddon, I would start with the staff at the HS I worked at. Simple practical knowledge used to solving problems in a practical world.
  3. In Topic: Throwing Comfy

    Posted 19 Jun 2013

    View PostOffCenter, on 19 June 2013 - 12:36 PM, said:

    View PostBenzine, on 19 June 2013 - 12:17 PM, said:

    View PostOffCenter, on 19 June 2013 - 11:02 AM, said:

    Why not pour thick slabs of plaster? I can't imagine not having a big plaster wedging table where I can condition the clay as well as wedge and no dusty canvas.

    Jim



    Not a bad idea, but my studio is multi-purpose, so I will be working with more than just clay on it.


    I cut out two pieces of plywood to cover the plaster when I want to use the wedging table for something else. I keep one 3x3 side for dark clay and one 3x3 side for porcelain. I can cover either or both sides with plywood.

    Jim


    Great idea, Jim, I've got some old plywood doing nothing, will work well to cover the wedging table.
  4. In Topic: Schools out, kids at home-In the Studio?

    Posted 19 Jun 2013

    View PostDenice, on 19 June 2013 - 08:21 AM, said:

    Most young children have a short attention span so you will probably won't have her for more than a hour at a time. She will probably like wearing a light weight dust mast and gloves, what projects you make depends on how old she is. My son I started him with snakes around 3 and then dinosaurs at 5, I got a 4X4 piece of plywood and made a dinosaurs island with a volcano in the middle, this took quite of while to finish. When he was eight we made rock fossils, pressed out the clay into a slab and scratched the fossil design in it and then use oxides to color and age it. A little girl might want to make pendant and charms or maybe a tea set, I was a tomboy dinosaurs would have been my choice. I taught my son some throwing when he was 14 but them he lost interest in it, he was playing in a band. Denice


    My grand daughter is 11. We started with pinch pot w footring, then a box with cut lid, and the last few days we have done a serving platter, and a soap dish/tray. I think next we will do a little puzzle work with cut slabs and multi angles-sculptural. She has a good attention span, and 1 1/2 hrs is not too long for her, but about the limit.
  5. In Topic: Throwing Comfy

    Posted 19 Jun 2013

    This is the wheel I was talking about. It has a slight back that gives some support, and the seat kind of slopes down pushing you towards the wheel. Height adjustable as you see, and less than $100. I have tried all sorts of stools in the studio, including a 3 legged shower adjustable stool thinking I could do better cheaper-NO. This is what I put into the classroom 5 years before retirement, and never had a problem. Should have known better for home. These were originally by CI, but now Speedball.
    Posted Image

My Information

Member Title:
Advanced Member
Age:
63 years old
Birthday:
August 20, 1949
Gender:
Location:
Central, PA
Interests:
Camping, kayaking, family, travel, Art in general. I have a small studio in my garage. Two electric kilns, two wheels, wedging table etc. I am primarily interested in cone 6 Ox. but like to see what is going on at all ranges. Read about ceramics voraciously and love the feel of the clay and throwing. Have to admit that my greatest joy is in the making, not the glazing. That said I do mix my own glazes, some of my own formulas, some borrowed. Retired from teaching art, last year after 36 years, taught ceramics 34 of those years.

Contact Information

E-mail:
Private
MSN:
MSN  bisquefire06@hotmail.com
Website URL:
Website URL  http://picworkspottery.blogspot.com/

Comments

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  1. Photo

    TJR Icon

    17 May 2013 - 09:37
    Pres;
    The only way I can get those emoticons to work, is to drag and drop them.
    Tom.
  2. Photo

    Marcia Selsor Icon

    31 Jan 2013 - 11:15
    Teaching is a great service job and can be very rewarding. Glitches can be working conditions, administration, etc.
    But there are great rewards.
  3. Photo

    TJR Icon

    31 Dec 2012 - 18:37
    Pres; I wanted to thank you for your articulate and thoughtful response to the person asking about layered glazing. I really thought I was helping out here. Guess not! Tom.[TJR]
  4. Photo

    JBaymore Icon

    18 Dec 2012 - 14:35
    Pres,
    I sent an email to your address listed here.
    best,
    .............john
  5. Photo

    TJR Icon

    23 Oct 2012 - 09:13
    Pres;Thank-you for your kind thoughts. I always think of you as a soul brother on the blog, as we are in a similar situation. I am looking at the end of a great career.Two years.Tom
  6. Photo

    TJR Icon

    19 Jun 2012 - 09:18
    Pres;
    If you decide to head north to Canada, come and see me. I am in Winnipeg, Manitoba. North of Minnesota. Still teaching high school art. Two more years. Tom
  7. Photo

    Idaho Potter Icon

    18 Apr 2012 - 18:54
    Pres, after reading your comment on pugmills, came here to say I think we have a lot in common (I'm a little older than you) in that I love making pots (wheel thrown or handbuilt)but do a crappy job of glazing except in Raku. Like your posts.
  8. Photo

    TJR Icon

    29 Feb 2012 - 12:53
    Pres; I have been thinking about you lately. Had the big talk with my wife about retiring and making pots. We can't afford it. Got to hang in there for another two years teaching high school art. Built the studio at home. Too tired to use it. Take care, Tom
  9. Photo

    Alagria Icon

    21 Dec 2011 - 16:25
    Hi Pres, happy to meet you and v. impressed with images of your studio space. In a hurry just now, but will spend time visiting your blog later. Living in Australia in the mountains, I have only recently commenced my practice. What a journey! I made a beautiful shape and then spoiled it my scraping a hole through the wall. I've spend days trying to repair it.I learned a good lesson...
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