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Mark C.'s Profile User Rating: *****

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1,363(2.72 per day)
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In the Studio (748 posts)
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09-January 12
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Posts I've Made

  1. In Topic: Amaco "Potter's choice" glazes

    Posted 24 May 2013

    (So, it has nothing to do with the elevation? (A little less oxygen in the air, different barometric pressure)
    This is a red herrring-

    Nothing to do with that-application and firing schedules and temps and clay bodies-thats where to look.
    Electric firing should be the same in Reno as down here by the sea-only thing is we have trees all around.
  2. In Topic: Can you talk to me about plates?

    Posted 24 May 2013

    I call the small area in middle of foot a nubbin as it protrudes almost to the level of the foot and if the plate slumps during firing it stops moving as this raised spot hits the self and keeps the glaze are off shelve. The foot and the nubbin are waxed before glazing. Heres a fired plate with nubbin on some salad plates(one porcelain one stoneware) along with an older stoneware dinner plate from my set from 1973-back then I made my nubbins smaller.I sign the nubbin as its unglazed.
    mark
  3. In Topic: Before and After a Glaze fire

    Posted 24 May 2013

    View PostBenzine, on 23 May 2013 - 06:35 PM, said:

    The stuff looks great, and not to sound negative, but there was a quarter inch of space between some of those, where you could have put some more items......hehe.


    I leaned long ago its a paper thickness apart that matters and thats all I have when loading a glaze. When making pottery for living more per space is always better. I do need a few more stuffers-only 120 sponge holders in this load.
    Mark
  4. In Topic: Proportions

    Posted 24 May 2013

    View PostKohaku, on 23 May 2013 - 09:39 PM, said:

    Thanks everyone- lots of comments here in line with what I've been thinking.

    Chris- the top piece was thrown and cut, with caps... so no algal gardens, hopefully.

    Aside from the width of the base, I agree that the cutouts are wrong. Apart from other considerations, the shape is almost moorish- doesn't really fit with the overall Japanese aesthetic.


    If the Japanese aesthetic is what you are after check out the book -Japanese Homes and their Surroundings by Edward S. Morse
    I have had this book since the early 70s it a good resource.
    Mark
  5. In Topic: perceived value of a piece

    Posted 23 May 2013

    In my 40 years with clay it seems just when you master the (whatever) process and think you have it down it all goes to hell in a hand basket.
    Its a humbling learning curve to say the least.
    Mark

My Information

Member Title:
Advanced Member
Age:
60 years old
Birthday:
March 15, 1953
Gender:
Location:
Near Arcata Ca-redwood rain forest
Interests:
Diving-underwater photo-salvage diving-dive Travel
Extreme offshore tuna fishing off north coast of Ca.

Contact Information

E-mail:
Click here to e-mail me

Comments

Page 1 of 1
  1. Photo

    Brandee Ross Icon

    10 Aug 2012 - 15:31
    Mark, I have really enjoyed your contributions to this forum and always look forward to reading your posts. Thank you for sharing so much of what you have learned the hard way with people like me who are newer to the business of selling pottery.
  2. Photo

    TJR Icon

    10 Apr 2012 - 08:49
    Mark;
    I am trying to think of a witty comeback for the cat ignoring me-from the $27 million dollar cat dish story. I'm usually pretty quick. Regards, Tom.
  3. Photo

    TJR Icon

    06 Apr 2012 - 21:49
    HAPPY BIRTHDAY! BEWARE THE IDES OF MARCH. LOOKS LIKE YOU ARE OLDER THAN ME, MATE. MY BIRTHDAY IS JULY13,1953. STILL 58.
    TOM.
  4. Photo

    teardrop Icon

    16 Jan 2012 - 11:47
    I enjoy your take on the production side of all of this and the way your overall LOVE of what you do shines through in your posts.
    best of luck with the wrist as well..
    teardrop
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