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Our community studio has been using the San Francisco Shino glaze for some time with good results. I'd like to introduce a new Shino into the studio mix and was interested in the Leopard Spot Carbon Trap Shino as another possibility for our general use. My online search has come up with nothing specific. The closest II have found is the Malcolm Davis Shino. Does anyone who has the Leopard Spot recipe mind sharing it at this point? Thanks - Scott

I decided to try a new terra sig recipe using Suzane Storer's Newman's Red recipe - I am hoping someone else has tried it as I am having a few questions re: the outcome. As a recipe it turned out "fine" - specific gravity was slightly over 115 but I mistakenly used a "double" portion of Sodium Silicate (I may have defocculated it too much as I didn't get a noticable "mid-layer") - It brushed on OK using a completely dry red clay body as a test piece. However, it dried out almost as fast as I brushed it on - even with the usual 3 coats. I had difficulty getting the usual "terra sig magic" burnish and it left brush marks (not expected but not entirely dissatisfactory as it gives the piece a "woody" look). My current concern is that it will "flake off" in either the bisque or saggar firing I had planned to do with this particular recipe. Would raising the specific gravity with more water slow the drying problem/brush strokes?. I'd like to get some feel of an answer before using what I have on other pots. Any thoughts from the terra sig users? Storer's recipe is using 4gal of water:20 lbs clay:60mls sodium silicate. I made only a small batch to test it out. Not wanting to be wasteful, yet by deflocculating my batch too much is it a "gonner" and just try again? Thanks