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  1. Sorry I've been away for a while... personal loss.......

    Posted 28 Apr 2013

    Sorry I've been away for a while and not answering any questions or doing much in the way of moderation on the forums.

    It has been a very tough week. On Saturday morning 4/27/13 at 12:30 AM, my father, John Robert Baymore Jr., passed away after a week long battle after having emergency major abdominal surgery on Monday evening 4/22. He was 94. My wife and I were with him all week, and in his very last moments.

    He was a World War II verteran, serving as a Staff Sargent and Military Police officer in the 1st Army Dvision. He was in the Normandy Invasion, and once found himself alone behind enemy lines on a motorcycle during the Battle of the Bulge. A musician, he was the director of the 1st Army Band while in Europe. He worked for himself as an interior decorator, specializing in fine wallcoverings and detailed painting work. An amazing golfer since his 40's, up until shortly before his death, he was still able to shoot his age.

    Visitation and funeral services will be at 10 AM at the Tuttle Funeral Home on Route 10 W in Randolph, NJ on Tuesday 4/30/13. Donations in lieu of flowers can go to Wounded Warrior Project PO Box 758517 Topeka, KS 66675 http://www.woundedwarriorproject.org/

    I'll be back involved more soon.

    best,

    .....................john
  2. How far from home have you traveled to attend a ceramic workshop or event? | Q.O.W. 04/23/2013

    Posted 23 Apr 2013

    Off to school? Away to NCECA. Going to a Potters Council conference. Going to see "Famous Potter" demonstrate. Doing a woodfiring.

    How far from home have you traveled to attend a ceramic workshop or event? (And what and where?)
    Check out joining the Potters Council ( www.potterscouncil.org ) for more networking possibilities, peer mentoring opportunities, discounts on books, magazines, and DVDs, health insurance, credit card merchant programs, and many other member benefits.
  3. What kind of symbols/Imagery do you use in your work to create your personal narrative? | Q.O.W. 04/16/2013

    Posted 16 Apr 2013

    What kind of symbols/imagery do you use in your work to create your personal narrative?

    Check out joining the Potters Council ( www.potterscouncil.org ) for more networking possibilities, peer mentoring opportunities, discounts on books, magazines, and DVDs, health insurance, credit card merchant programs, and many other member benefits.
  4. What do you think of technology entering the art ceramics field? | Q.O.W. for 04/09/2013

    Posted 9 Apr 2013

    Inkjet printers with ceramic pigment cartridges. Rino 3-D Design Software hooked to a CNC machine. 3-D Digital printing direct to ceramic matrix materials. Robotic manipulation of clay (it is only a mater of time).


    What do you think of high technology entering the art ceramics field?

    Check out joining the Potters Council ( www.potterscouncil.org ) for more networking possibilities, peer mentoring opportunities, discounts on books, magazines, and DVDs, health insurance, credit card merchant programs, and many other member benefits.
  5. New Hampshires State Law on consignment of art works

    Posted 5 Apr 2013

    TITLE XXXI
    TRADE AND COMMERCE


    CHAPTER 352
    AUTHORS' AND ARTISTS' PRODUCTIONS


    Consignment of Works of Art

    Section 352:3
    352:3 Definitions. – In this subdivision:
    I. "Art dealer'' means a person, including an individual, partnership, firm, association, or corporation, engaged in the business of selling works of art, other than a person exclusively engaged in the business of selling goods at a public auction.
    II. "Artist'' means the creator of a work of art, or, if the artist is deceased, the artist's personal representative, heirs or legatees.
    III. "On consignment'' means delivered to an art dealer for the purpose of sale or exhibition, or both, to the public by the art dealer other than at a public auction.
    IV. "Work of art'' means an original artwork that is any of the following:
    (a) A visual rendition including, but not limited to, a painting, drawing, sculpture, mosaic, or photograph.
    (B)src="http://ceramicartsdaily.org/community/public/style_emoticons/default/cool.gif"> A work of calligraphy.
    © A work of graphic art, including, but not limited to, an etching, lithograph, offset print, silk screen, or other work of similar materials.
    (d) A craft work in materials, including, but not limited to, clay, textile, fiber, wood, metal, plastic, glass, or similar materials.
    (e) A work in mixed media, including, but not limited to, a collage or a work consisting of any combination of the items listed in subparagraphs (a) through (d) of this paragraph. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:4
    352:4 Art Dealer and Artists; Relationship. – If an art dealer accepts a work of art, on a fee, commission, or other compensation basis, on consignment from the artist who created the work of art, the following consequences shall attach:
    I. The art dealer shall be, with respect to that work of art, the agent of the artist.
    II. The work of art shall be trust property and the art dealer shall be a trustee for the benefit of the artist until the work of art is sold to a bona fide third party or returned to the artist.
    III. The proceeds of the sale of the work of art shall be trust property and the art dealer shall be a trustee for the benefit of the artist until the amount due the artist from the sale is paid.
    IV. The art dealer shall be strictly liable for the loss of, or damage to, the work of art while it is in the art dealer's possession or control. The value of the work of art shall be, for the purpose of this subdivision, the value established in the written contract between the artist and art dealer entered into pursuant to RSA 352:7. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:5
    352:5 Purchase or Resale of Consigned Art by Art Dealer. –
    I. If a work of art is trust property under RSA 352:4 when it is initially received by the art dealer, it shall remain trust property, notwithstanding the subsequent purchase of the work of art by the art dealer directly or indirectly for the art dealer's own account, until the purchase price specified pursuant to RSA 352:7 is paid in full to the artist.
    II. If an art dealer resells a work of art that he purchased for his own account to a bona fide third party before the artist has been paid in full, the work of art shall cease to be trust property and the proceeds of the resale shall be trust funds in the possession or control of the art dealer for the benefit of the artist to the extent necessary to pay any balance still due to the artist. The trusteeship of the proceeds shall continue until the artist is paid in full under the contract entered into pursuant to RSA 352:7. A separate trust account for each artist shall not be required under this subdivision. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:6
    352:6 Trust Property Exempt From Claims of Art Dealer's Creditors. – Notwithstanding any other provision of law, a work of art that is trust property or the artist's portion of the proceeds from the sale of such work under RSA 352:4 or 352:5 shall not be subject to the claims, liens, or security interests of the creditors of the art dealer. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:7
    352:7 Art Dealer Required to Obtain Written Contract. –
    I. An art dealer shall not accept a work of art, on a fee, commission, or other compensation basis, on consignment from the artist who created the work of art unless, prior to or at the time of acceptance, the art dealer enters into a written contract with the artist that contains all of the following:
    (a) The value of the work of art and whether it may be sold;
    (B)src="http://ceramicartsdaily.org/community/public/style_emoticons/default/cool.gif"> The time within which the proceeds of the sale are to be paid to the artist, if the work of art is sold;
    © The minimum price for the sale of the work of art;
    (d) The fee or percentage of the sale price that is to be paid to the art dealer for displaying or selling the work of art;
    (e) An agreed upon date for removal of artwork and date for termination of contract.
    II. If an art dealer violates this section, a court, at the request of the artist, may void the obligation of the artist to that art dealer or to a person to whom the obligation is transferred, other than a holder in due course. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:8
    352:8 Art Dealer Duties; Condition for Display of Work or Photograph. – An art dealer who accepts a work of art, on a fee, commission, or other compensation basis, on consignment from the artist who created the work of art, shall not use or display the work of art or a photograph of the work of art, or permit the use or display of the work of art or a photograph of the work of art, unless the following occur:
    I. Notice is given to users or viewers that the work of art is the work of the artist;
    II. The artist gives prior written consent to the particular use or display. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:9
    352:9 Waivers Void. – Any provision of a contract or agreement whereby the artist or art dealer waives any of the provisions of this subdivision shall be void. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:10
    352:10 Civil Penalty. – Any art dealer who violates RSA 352:7 or 352:8 shall be liable to the artist for his reasonable attorney's fees plus:
    I. One hundred dollars, plus the actual damages, if any, including the incidental and consequential damages, sustained by the artist by reason of the violation.
    II. If an art dealer violates any provisions of this subdivision, the artist's obligation for compensation to the art dealer shall be voidable by the artist. Source. 1988, 117:1, eff. Jan. 1, 1989.


    Section 352:11
    352:11 Exemption From UCC. – The provisions of this subdivision shall prevail over conflicting or inconsistent provisions of RSA 382-A, the Uniform Commercial Code. Source. 1988, 117:1, eff. Jan. 1, 1989.


    ------------------------------------------

    Thought some folks might want to see this ......and then maybe research their own state's statuates to see what they have to say.



    best,

    .................john

My Information

Member Title:
Moderator
Age:
Age Unknown
Birthday:
July 19
Gender:
Location:
Wilton, NH USA
Interests:
woodfiring, Japan, Chado, Iaido

Contact Information

E-mail:
Private
Website URL:
Website URL  http://www.JohnBaymore.com

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Comments

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  1. Photo

    TJR Icon

    26 Jan 2013 - 18:01
    John; Do you think I should get that cobalt pigment tested? It never occurred to me that it would be poison in some way. I would value your opinion.Tom
  2. Photo

    Marcia Selsor Icon

    23 Dec 2012 - 08:36
    your mailbox seems full.
    I hope you have a great holiday break. How did the day-long raku event turn out. Thank you for all you do for PC and CAD.
    Hope to see you in Houston. It will be 85 in deep South Texas on Christmas.
    Marcia
  3. Photo

    SmartsyArtsy Icon

    19 Oct 2012 - 20:21
    I love the question of the week, and have a suggestion. I wonder what tool is the most sentimental to our members, and why that tool has such meaning. If already done, can you direct me to the thread? Thanks, CSC aka SmartsyArtsy
  4. Photo

    TJR Icon

    16 Jul 2012 - 10:25
    John;
    I really enjoy your comments. Always a pleasure to read, and sometimes very witty.Tom
    TJR.
  5. Photo

    Colonel Potter Icon

    30 Jul 2010 - 10:51
    Thanks for your comments. I keep reading posts that interests me and it seems you are always answering. Thanks.
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