: catpaws - Viewing Profile

Jump to content

catpaws's Profile User Rating: -----

Reputation: 2 Neutral
Group:
Members
Active Posts:
21(0.06 per day)
Most Active In:
In the Studio (8 posts)
Joined:
17-May 12
Profile Views:
15,701
Last Active:
User is offline Jun 12 2012 12:55 PM
Currently:
Offline
Icon   catpaws There is nothing to fear but fear itself.........and spiders.

Posts I've Made

  1. In Topic: Witness cone stopped at 3:30, not 4:00

    Posted 31 May 2012

    View PostJBaymore, on 30 May 2012 - 05:34 PM, said:

    Info on IR exposure to the eye:

    http://whqlibdoc.who...S_25_(chp3).pdf

    best,

    ...............john


    Thanks very much for this info. I shall be far more careful in future.
  2. In Topic: Bisque hump mold problem

    Posted 27 May 2012

    are you sure the clay is dry enough to release? If there are no undercuts then leave it longer before trying to get it off. You could try laying strips of damp newspaper on the mould before putting the clay on it, the paper certainly won't stick to the bisque and you'll be able to release the clay easily.
  3. In Topic: comments in gallery

    Posted 20 May 2012

    Frederik I'm with you on this one. If no one ever comments how the hell do we develop?
  4. In Topic: functional vs. sculptural

    Posted 20 May 2012

    to me a good pot is one that cries out to be picked up and handled. I have seen some work that iv'e thought "oh my god, that's fantastic" and has been priced, in my opinion, far too cheaply and because of that, some have dismissed it as not worthy of even looking at. On the other hand, I've seen some truly awful rubbish that has cost a fortune because the potter has a "name". I love eavesdropping at shows to artists spouting pretentious twaddle to gullible members of the public and never ceased to be amazed by what people actually buy because they've been taken in by the sales pitch. "I never use commercially available minerals, I always travel to the dead sea to collect my own sea minerals" being one example I overheard at Hatfield show in the u.k. The stuff should have been returned to the bottom of the dead sea! If a pot says,"pick me, pick me" to me then that's all it takes for me, I don't care WHY it's good, it just is.
  5. In Topic: Whose work is this?

    Posted 20 May 2012

    View PostPres, on 18 May 2012 - 02:15 PM, said:

    View Postcatpaws, on 18 May 2012 - 05:21 AM, said:

    View PostLucille Oka, on 17 May 2012 - 06:41 PM, said:

    No one said it was 'good'. Some artists are 'nervy' and 'gutsy'. When an artist such as Picasso is capable of a more 'classical' or 'traditional' style of work seeing what he relays through a different medium or genre piques interest.


    ohhh that's me told off then.


    All so often I will see a piece that I really do not care for, but looking at things from another perspective I ask myself "What can I learn from this?" Usually there is something to be learned from looking at almost everything out there, whether it is texture, feeling for line, composition, color, or a basketful of other ideas. Then again too some times, not often I come away learning one thing, I don't like it. However, I have tried.


    yes I agree. However I think sometimes it's a gut reaction that doesn't need over analysing, one either likes it or one doesn't. sometimes we don't even know the reason we don't like something it's just "wrong" a bit like some people are disliked on first sight, it saves time!

My Information

Member Title:
Member
Age:
Age Unknown
Birthday:
Birthday Unknown
Gender:
Interests:
music, anything french, my daughters, cats, potting, life. not necessarily in that order.

Contact Information

E-mail:
Click here to e-mail me

Friends

Comments

catpaws has no profile comments yet. Why not say hello?