Bill R.
Hand Made Tiles
#1
Posted 05 April 2010 - 09:46 PM
Bill R.
#2
Posted 05 April 2010 - 10:47 PM
Bill R., on 05 April 2010 - 09:46 PM, said:
Bill R.
Bill I have made thousands of wall tiles with my slab roller. I can share with you a few tricks to help with even shrinkage and warping, you should expect some of that no matter what you do. When I roll the clay through the roller twice slightly thicker the first time and flip it 90 degrees the second time. This is suppose to help even out the shrinkage because of stretching of the memory of the clay, it seems to work for me. I rib the canvas imprint off the clay and flip it on to a piece of sheet rock, lumber yards around here sell broken ones cheap. You don't want to use the dipped edges of the sheet rock anyways. I had tile cutters made at a sheet metal place but you can cut them with a knife or an pizza roller and a straight edge. Handle the clay as little as possible, I try to keep my sheet rock pieces the same size and then stack them let them dry until leather hard and then move the tile to racks in my drying cabinet. I tend to get in a hurry and probably would have less warping. so I make lots of extras. The tiles that had no warping were pressed in the center with a design from a plaster mold, the design was pressed first and then I cut the tile out. Hope this helps you.
Denice (Wichita, KS)
#3
Posted 11 April 2010 - 06:33 PM
#4
Posted 21 April 2010 - 11:00 AM
#5
Posted 23 April 2010 - 08:08 AM
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#6
Posted 23 April 2010 - 10:35 AM
She noticed that when tile companies make tile they lay them flat and never touch them again through the whole process.
So her idea one was to find a way to make tiles ... then leave them 100% alone until they are hard ... not even a tiny touch!
So you roll the slab, then roll across with a hand roller or by rolling a second time at 90 degrees. Release from the cloth.
Cut them to size.
Slide them off the cloth sideways without lifting onto a flat board covered with newsprint.
Drop the tile covered boards onto the floor from less than waist high ... once or twice.
Do not touch them again until they are leather hard.
I have taken the board out into the yard and let them dry in the breeze ... it works better than any other way I have tried.
I know ... it sounds like it won't ... but try it.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#7
Posted 23 April 2010 - 10:42 AM
Bill R., on 06 April 2010 - 03:46 AM, said:
Bill R.
Hi Bill,
Here is a great article on flat tiles.... http://ceramicartsda...s-the-easy-way/
Good luck with your project!
Jennifer Harnetty, editor, Ceramic Arts Daily
Managing Editor
Ceramic Arts Daily
www.ceramicartsdaily.org
#8
Posted 18 May 2010 - 02:18 PM
#9
Posted 13 July 2010 - 10:21 AM
"Slide them off the cloth sideways without lifting onto a flat board covered with newsprint.
Drop the tile covered boards onto the floor from less than waist high ... once or twice.
Do not touch them again until they are leather hard."
I admit I was skeptical about this technique, but now I have tried it and it works for me! I find that one drop is enough to keep the tiles flat. A second drop doesn't improve the flatness, and sometimes it distorts the tiles from squares to trapezoids. So I drop them once and leave them uncovered and unbothered. I wouldn't say they are as flat as commercial field tiles, but I think they are flat enough to install. And they are clearly flatter than the ones I made before, when I dried them between sheets of drywall. And I love that they dry in a few days uncovered, compared to the three weeks it takes to dry them between drywall. Here's a photo:
#10
Posted 13 July 2010 - 05:56 PM
Why people want to add days of work and heavy drywall is beyond me.
I have used this method for years ... Leather hard tiles in hours, not days.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#11
Posted 14 July 2010 - 08:46 PM
I don't understand a couple of things. The part about releasing it from the cloth. What do you mean by that? And the part about sliding them off the cloth sideways.
I want to try this.
Thanks,
Sylvia
Chris Campbell, on 23 April 2010 - 10:35 AM, said:
She noticed that when tile companies make tile they lay them flat and never touch them again through the whole process.
So her idea one was to find a way to make tiles ... then leave them 100% alone until they are hard ... not even a tiny touch!
So you roll the slab, then roll across with a hand roller or by rolling a second time at 90 degrees. Release from the cloth.
Cut them to size.
Slide them off the cloth sideways without lifting onto a flat board covered with newsprint.
Drop the tile covered boards onto the floor from less than waist high ... once or twice.
Do not touch them again until they are leather hard.
I have taken the board out into the yard and let them dry in the breeze ... it works better than any other way I have tried.
I know ... it sounds like it won't ... but try it.
#12
Posted 14 July 2010 - 09:34 PM
If you just roll or throw slabs this step might not exist ... The clay just has to be free ... Not stuck to a surface.
When you move them to the board, don't lift them ... Bring the board up to the same level and slide the tiles onto it.
Then drop it from waist height and leave them alone until they are stiff enough to lift without any clay movement at all.
They will warp wherever you touch them if you fiddle around. Leave them alone inside, outside, in the.sun or shade.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”

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