..and what is this? It´s a two million dollar bowl.
#3
Posted 22 March 2013 - 05:24 AM
$2.2 million paid.
I think it is ugly. It is at best very plain.
It is one thing to have cultural/historical value or technical merit for what was achieved 1000 years ago, I do not doubt that, but it is still ugly.
The value of something in monetary terms has never been a good indicater of artistic merit.
#4
Posted 22 March 2013 - 07:12 AM
Frederik-W, on 22 March 2013 - 06:24 AM, said:
$2.2 million paid.
I think it is ugly. It is at best very plain.
It is one thing to have cultural/historical value or technical merit for what was achieved 1000 years ago, I do not doubt that, but it is still ugly.
The value of something in monetary terms has never been a good indicater of artistic merit.
The $3 the original buyer paid was a bit low. I'd put its worth at about $10.
Jim
"But it does move," said Galileo under his breath.
#5
Posted 22 March 2013 - 11:31 AM
DifJuz, on 22 March 2013 - 12:13 PM, said:
I have and they said they'd look into it. Worth is a relative thing. as a collectable it is worth whatever you can get for it. In this case that must be about 2.2 million dollars. That has very little to do with its aesthetic value. Obviously that is subjective, but if I saw the same bowl at a pottery sale and needed a new oatmeal bowl I might pay $20 if I was desperate. We just had this discussion over the film "Who the ######## is Jackson Pollock?" A truck driver bought a painting that friend pulled out of a dumpster for $5 but someone saw it and had "experts" come in and some were absolutely sure it was a Pollock worth several million and others said it wasn't a Pollock which made the same painting worth $5. There is no relation (or very little) between artistic merit and collectability. Sorry if this is over your head.
Jim
"But it does move," said Galileo under his breath.
#6
Posted 22 March 2013 - 06:13 PM
OffCenter, on 22 March 2013 - 09:31 AM, said:
DifJuz, on 22 March 2013 - 12:13 PM, said:
There is no relation (or very little) between artistic merit and collectability. Sorry if this is over your head.
Jim
I agree! Ever thought about why French expressionists' art was so cheap during their lives and became so expensive after they died?
Partly because people who make investments rely on somebody's opinion, not their own taste.
Even in the modern time, there are a few painters whose art is highly appreciated and paid for, but I, personally, could not care less about it.
I do not see what others see in it, and most likely they do not see anything either! The power of suggestion is a big driver there.
#7
Posted 23 March 2013 - 08:42 PM
TJR.
#8
Posted 25 March 2013 - 11:27 AM
The amount of skill required to produce this vessel comes from the previous 19,000 years of Chinese pottery making.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#9
Posted 25 March 2013 - 12:39 PM
Chris Campbell, on 25 March 2013 - 12:27 PM, said:
The amount of skill required to produce this vessel comes from the previous 19,000 years of Chinese pottery making.
I would have an appreciation of the age of the pot and its historical value but that just affects collectability not the beauty of the pot. Seeing Ai Weiwei drop a Han Dynasty vase upsets me even though it's an ugly pot. I don't know the purpose of the quote but I assume it's not there to imply that European pottery is only 1,000 years old.
Jim
"But it does move," said Galileo under his breath.
#10
Posted 25 March 2013 - 01:23 PM
I was only comparing what European potters were doing 1,000 years ago. : > )
These pots are from 5 to 6,000 BC in Eastern Europe and since the forms are so lovely and they appear to know about burnishing I would expect they had been involved in pottery for a long while.
Attached File(s)
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Number of downloads: 33
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#11
Posted 25 March 2013 - 04:01 PM
Hide and Go Seek?
www.amywallerpottery.com

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