Cracks in large, thick stoneware tiles Bisqued tiles to 08
#1
Posted 21 January 2013 - 04:35 PM
Not sure how to limit the variables. Fire on grog? Take longer for bisque firing? Put up a baffle wall? I can't afford to loose anymore tiles. Have any suggestions?
#2
Posted 21 January 2013 - 04:46 PM
#3
Posted 21 January 2013 - 05:31 PM
When a tle just crumbles I think materials ... When it explodes I think water.
Would love to see the cracks from the edges in the others ... I assume they were uneven since you said they were a certain height in places.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#5
Posted 21 January 2013 - 09:39 PM
Marcia Selsor, on 21 January 2013 - 09:22 PM, said:
How large are they?
Marcia
They dried on drying racks made of slats. I will try to fire on bed of grog possibly in an electric kiln??? I once made some super large slabs, about 40" x 24" they cracked similarly and I fired them on beds of fiberfax.
#6
Posted 21 January 2013 - 09:43 PM
Chris Campbell, on 21 January 2013 - 05:31 PM, said:
When a tle just crumbles I think materials ... When it explodes I think water.
Would love to see the cracks from the edges in the others ... I assume they were uneven since you said they were a certain height in places.
Two images, one from back (on edge) the other flat looking down. Both were bisqued. I will fire next time on a bed of grog. Did that for the glaze fire and noticed the cracks after that fire. I am thinking the cracks came with the bisque.
Attached File(s)
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fish tile bisque.jpg (89.22K)
Number of downloads: 74 -
fish tile from back.jpg (80.22K)
Number of downloads: 71
#7
Posted 21 January 2013 - 11:13 PM
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#9
Posted 22 January 2013 - 07:40 AM
#10
Posted 22 January 2013 - 10:01 AM
Most clay bodies won't handle being that thick unless they have a lot of grog in them. At the very least you'll need to prop them up off the shelf to they eat more evenly. You'll also want to even out the thickness by doing some carving from the backside.
Kiln Repair Tech
L&L Distributor
Owner, Neil Estrick Gallery, LLC
www.neilestrickgallery.com
neil@neilestrickgallery.com
#11
Posted 22 January 2013 - 11:13 AM
forming the tile ... slab roller? Hand rolled? Thrown?
Carving the tile ... Being more aware of how I am carving pressure wise and thin/thick ratios
Drying without any movement until leather hard
Firing on its side or on clay rollers or some support to keep air moving across the bottom
Also, have you considered adding some paper pulp to your clay body?
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#12
Posted 22 January 2013 - 11:50 AM
I have also found that if possible when making large tiles it helps to use a tool and thinly cross hatch a grid across the back. I have found that some times you might get a small hairliner crack on the edge but the grid prevents it from traveling through the whole tile. I also agree with firing on grog or coils and not directly on the kiln shelves. T
#13
Posted 22 January 2013 - 02:16 PM
trina, on 22 January 2013 - 11:50 AM, said:
I have also found that if possible when making large tiles it helps to use a tool and thinly cross hatch a grid across the back. I have found that some times you might get a small hairliner crack on the edge but the grid prevents it from traveling through the whole tile. I also agree with firing on grog or coils and not directly on the kiln shelves. T
#14
Posted 22 January 2013 - 02:35 PM
I have already completed making the tiles. They have been drying for the past month, there's no way I can change anything. I have used this clay body to make other large tiles many years ago, so there's a certain amount of faith I have about the clay. Having said that, everything and anything seems to be a variable right now. I will fire the next couple of sample tiles in an electric kiln with grog under each. See what happens there. Then proceed. I am going with the idea of direct interaction with the kiln shelves and possibly to quick a bisque. Will see. Again thank you for your thoughts.
#15
Posted 22 January 2013 - 02:55 PM
Kiln Repair Tech
L&L Distributor
Owner, Neil Estrick Gallery, LLC
www.neilestrickgallery.com
neil@neilestrickgallery.com

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