National Day Of Clay An idea for nationwide development of ceramic arts
#1
Posted 11 December 2012 - 02:21 PM
What if we could start a National Day of Clay, and it could be a day where all the potters (or at least a lot) across the country would open their studios and galleries and welcome visitors, to show people what we do. It would be a way to introduce people to our art form (and to us) and show them the benefits of buying and using our pottery. It could be promoted online with a web site where you could type in your zip code and it would tell you where the potters are within a certain radius of your home. Individual potters could promote it in their towns, maybe newspaper stories, or something with the chamber of commerce, or whatever, and it could grow bigger and bigger and bigger every year. Maybe we could get supporters like NCECA and Ceramics Monthly, or suppliers to help promote it. It could be as big a deal as the potters want it to be. Some might want to make it a party, some might want a low-key classy affair. Some might want to invite people to try their hand on the wheel, some might want to schedule a kiln opening for that day, or have door prizes or a drawing for some pottery, some might want to invite school children, who knows what we could think of to do. But it could be the same time every year, so people could look forward to it. Some potters might want to make a commemerative mug or tile to sell for each year's Day of Clay, and people could collect them. Universities and high schools could be involved. Museums maybe.
Some places, like North Carolina, really promote pottery, so it would be less important there, but I live in a very small town, in a economically depressed area, so any kind of promotion would be helpful. I'm not good a self promotion, but I do enjoy group promotion. Of course, we could all do something like this individually, but it would be more fun if it were part of a huge deal. Strength in numbers and all that.
What do you all think? Any other ideas?
Sylvia
Pittsburg, Kansas
#2
Posted 11 December 2012 - 04:25 PM
Seriously, it does sound great but it's a heavy piano to move.
I remember at the turn of the Century ( ugh, doesn't that sound OLD !! ) Clayart potters around the world agreed to fire their kilns that night so they would still be burning at midnight wherever they were. It was fun to be outside in the cold, firing a kiln knowing that all over the world others were doing the very same thing. It would be great if clay day could feel like that.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#3
Posted 11 December 2012 - 08:34 PM
Hum....................
best,
..........................john
Immediate Past President; Potters Council
Professor of Ceramics; New Hampshire Insitute of Art
http://www.JohnBaymore.com
#5
Posted 11 December 2012 - 11:14 PM
I was so thrilled until I realized they meant Clay Aiken.:)src="http://ceramicartsdaily.org/community/public/style_emoticons/default/smile.gif">
... and why don't the emoticons work anymore?
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#6
Posted 12 December 2012 - 09:59 AM
Chris Campbell, on 11 December 2012 - 03:25 PM, said:
Seriously, it does sound great but it's a heavy piano to move.
I remember at the turn of the Century ( ugh, doesn't that sound OLD !! ) Clayart potters around the world agreed to fire their kilns that night so they would still be burning at midnight wherever they were. It was fun to be outside in the cold, firing a kiln knowing that all over the world others were doing the very same thing. It would be great if clay day could feel like that.
Chris;
I was firing my buddy Remo's wood kiln that very night that the Millenium turned. I thought I would have a team of woodfirers with me, but no one showed up for their shift, so I fired it by myself for 6 hours until someone relieved me. Drank some sake when I was finished. I still have a few pots from that firing-not because they didn't sell, just keeping them for the memories. I didn't feel abandoned. I knew what I was doing.
Tom
#7
Posted 12 December 2012 - 11:22 AM
As to pottery day it would have to be during the school year leaving enough time for teachers to do organize participation.
How about the doldrums days of February? A month that is supposed to be short but goes on and on forever.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#8
Posted 12 December 2012 - 04:23 PM
Or would it be better to have it later when people could be outside, maybe doing raku demos or something? I could go either way.
Chris Campbell, on 12 December 2012 - 10:22 AM, said:
How about the doldrums days of February? A month that is supposed to be short but goes on and on forever.
#9
Posted 13 December 2012 - 02:38 AM
Chris, I never heard of the turn of the century fire night, so apparently it wasn't nationally known!
Chris
Chris Seminara Ceramics
Member, Artisan Tile NorthWest
#10
Posted 13 December 2012 - 09:09 AM
http://www.craftanddesignmonth.net/
#11
Posted 13 December 2012 - 04:25 PM
bciskepottery, on 13 December 2012 - 02:09 PM, said:
http://www.craftanddesignmonth.net/
It is a great thing .... my daughter and I involved our studio in the 2011 event. It is sponsored by the magazine, but they do include your studio details and brief description of your event (Open Studio/Workshops etc) for free on the internet with an option to be included in the Craft and Design Month edition of the magazine itself for a small fee .... or a much larger one for more space. We went for the free option (!!) and, although they weren't exactly beating down the doors to get in, we did have quite a few visitors to our open studio weekend who were "doing the rounds" of the events in our area. We managed some sales too and actually enjoyed the whole experience. We laid on wine, soft drinks and nibbles and had pieces on display at various stages of completion to give a feel of our processes - yes .... it was good. Of course, America is Much Bigger - but as a principle, our Craft and Design Month certainly worked for us
Christine
#14
Posted 17 December 2012 - 12:09 AM
Chris Campbell, on 11 December 2012 - 08:14 PM, said:
I was so thrilled until I realized they meant Clay Aiken
Harry Potter
#15
Posted 17 December 2012 - 09:29 AM
#16
Posted 18 December 2012 - 08:48 AM
I had exactly ZERO customers on small business Saturday, but I have had a few people who mentioned that their families were doing all hand made locally gifts this year. In our little town that means my shop, cause there isn't anything else.
Denice, on 17 December 2012 - 08:29 AM, said:

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