Input on Combined Class
#1
Posted 06 December 2012 - 09:26 PM
Thanks.
#2
Posted 07 December 2012 - 08:08 AM
nairda, on 06 December 2012 - 09:26 PM, said:
Thanks.
Plan the first class well. Make sure you cover wedging and other basics so that is not repeated later in the class or overlooked all together.
#3
Posted 07 December 2012 - 09:55 AM
TJR
#4
Posted 07 December 2012 - 04:10 PM
#5
Posted 22 December 2012 - 12:02 AM
nairda, on 06 December 2012 - 09:26 PM, said:
Thanks.
I noticed you didn't say anything about age levels? So for simplicity lets assume adults. At the same time I think you would benefit from handbuilding first, and then cutting down the wheel time as you will only be exposing them to the wheel. A way around part of this may be to put wheel thrown additions on to handbuilt pots. These could be foot rings, spouts, lids with rims, or any other simple coil and thrown, or thrown piece. This way you could let the students produce more, and have more control over what their final project/s looked like. I taught adult classes for 12 years in 6 week sessions of 4 hours on Saturdays in February and March. This gave plenty of time for working, glazing, and planned and impromptu demonstrations nearly every session. Think it through carefully.
#6
Posted 24 December 2012 - 02:20 PM
Susan
#7
Posted 25 December 2012 - 01:59 PM
I would start by having the first class being about the basics of handling clay, then focus hands-on for one and give demos in the other. This would at least build a base for enrollees in session 2.
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#8
Posted 30 December 2012 - 11:14 AM
#9
Posted 30 December 2012 - 01:28 PM
Good Luck!
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
#10
Posted 26 March 2013 - 10:59 PM
They made amazing progress (some came in when the studio had open hours outside of class and it turned out that two of the six had a little prior clay experience). Thank you for all the suggestions.
#11
Posted 27 March 2013 - 01:24 PM
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”

Sign In
Register
Help










MultiQuote



