Posted 01 November 2012 - 09:56 AM
I have mentioned this on the forum a number of times before in this kind of thread about positions in throwing.........
Have someone who knows something about throwing, ergonomics, and physiology watch you when you are throwing. (I'm lucky in this regard since I have the highest level of certification in a particular sports instruction....... the human body in motion and physics applies to many things.) A lot of the "issues" people develop over time when throwing come from a poor use of the human body for the task at hand.
Throwing is, at the very first, a totally mechanical skill .... like hitting a golf ball, turning a pair of skis or a snowboard, driving a nail into a board, and so on. It is only later that the aesthetic components overlay the mechanical skills. Some instructors of throwing tend to miss laying the solid fundamentals down first...... so things like HOW the body is being used tend to get short shrift. Plus many students (particularly here in the US) want to just "jump" to the "creativity" side of things as a shortcut without putting in the long period of hard work that the mechanical skill development deserves.
Getting the wheel height (or the seat height) adjusted a bit is certainly a part of this. But more often it is simply understanding what you are actually DOING and how that compares to the best use of the body. Sometimes it is not the seat height or the wheel height but what you are doing with your BODY. Once you know what you are doing, you can make changes in the movement patterns you are developing so that you use your body as efficiently as possible. Particularly as a beginner, this is the time to start to develop good ergonomic habits..... it is far easier to develop new movement patterns correctly than to have to go back and change long established "muscle memory".
Repetitive stress is a fact of life for anyone that works regularly using their bodies to perform various tasks. There is much useful information about this in the medical literature. Do a bit of research on "preventing repetitive stress injuries" and then take what you find out there to heart.
Marcia already hit one big point here....... seriously extended periods of doing one thing is inviting problems, no matter what that single thing is. In my throwing classes there is a "one hour limit" on sitting and throwing without getting up and doing something else for a few minutes. In my own studio I do about the same, getting up ansd moving wareboards of pots from the to racks adjacent to my wheel to the main storage racks elsewhere in the studio, making a cup of tea, checking drying work, and so on.
In my long time in teaching ceramics and in working with and associating with ceramists in general, I have seen plenty of people who attempt top "fix" one issue (like help the lower back) and then move the injury point to another body part by the changes they have made. Fix one thing and break another. If you make changes to how you approach throwing, make sure that you are not just "robbing Peter to pay Paul". I've seen plent of people who decide to "throw standing up" shift the injury zone to their knees, ankles, or particularly the wrists. (If you go to throwing standing up, research John Glick's setup for this. THAT is how it should be done.)
To answer your exact question.... for me (5' 8", male, 63 years young) I set my butt height (the center level of the seat surface) at the height of the top surface of the wheelhead (or bat surface) plus about 1 inch additional. When I am working in Japan this relationship is just about the same to the standard "throwing stations" that you see in most potteries there; the flat deck surrouinding the wheelhead (wheel sitting down in the "pit") and then a small thin zabuton (cushion) to sit on. When I am demoing at the college, I use bat(s) on the flat-top stools to get the level correct for me..... and have students do this also as needed to adjust their positions.
I use a Brent CXC and it is set on the floor at the "standard height". Another very important important point in my home studio is that I use a seat that has an angled seating surface that tips the pelvis forward (CI Potters Stool). And I do not "round" my back and hunch over the wheel.... I tip the upper body forward toward the wheel by breaking at the hip joints. Both of these help to maintain the natural curvature of the lower spine.... the place that most throwers have their "back problems". I have also modified the backrest on that CI stool to have it more forward from the position it comes in. And my upper back is also kept pretty straight.... the shoulders are not "rounded" either. This kind of position also "happens" (heh...heh....heh.....ergonomics) to give you the most freedom of movement of the upper extremities and the best use of the muscles in the upper body......which helps with the pure mechanical aspects of throwing.
best,
..............john
John Baymore
Immediate Past President; Potters Council
Professor of Ceramics; New Hampshire Insitute of Art
http://www.JohnBaymore.com