Best Table for the Studio?
#21
Posted 18 October 2012 - 03:04 PM
I have separate pieces of 24"x24" plywood (one for white clays, one for red/browns) that I put on top of my wedging table to prevent cross contamination. I also have separate slab mats for white and red/brown -- again, to prevent cross contamination. Washing will remove surface clay . . . but some stain from colorants in the clay inevitably remain.
#22
Posted 19 October 2012 - 09:29 AM
JBaymore, on 18 October 2012 - 10:48 AM, said:
skopchains, on 17 October 2012 - 11:33 AM, said:
Susanna,
I use TEMPERED masonite, and I hold it down with some sheetrock nails, not glue. That allows easy re-surfacing, the glue would be a real mess.
best,
..............john
Thanks, John! I'll look into the TEMPERED masonite and sheetrock nails.
And I'm loving all the other ideas being thrown around here! You all rock!
Susanna
#23
Posted 20 October 2012 - 02:17 PM
minspargal, on 15 October 2012 - 09:03 AM, said:
What's a printers' mat??
Thanks!
Ginny C.
#24
Posted 20 October 2012 - 03:59 PM
Ginny C, on 20 October 2012 - 03:17 PM, said:
minspargal, on 15 October 2012 - 09:03 AM, said:
What's a printers' mat??
Thanks!
Ginny C.
Printer's litho mat or blanket . . . http://handbuildingt...rface-clay-mat/ Used in the old days when typesetters manually inked.
#25
Posted 04 January 2013 - 11:34 PM
Cass, on 18 October 2012 - 11:15 AM, said:
SusanM, on 17 October 2012 - 06:00 PM, said:
i would suggest separate wedging area, work area, and drying area for each color clay, you dont want white work that is pink (hey, you got chocolate in my peanut butter! are you old enough for that?,lol, anyway)
often you still to wedge while other clay is drying, this is why movable drying 'vats' are the way to go, plaster....perfect moment to learn how to pour plaster! it's cake to make,and durable, my vats are at least ten years old
plaster wedging surface too, whatever you were going to wedge on, put a 2x4 frame around the top and pour 3" of plaster in there
I know it's awfully late to respond to this, but can you explain what you mean by vats? In some studios I've seen plaster ovals with a nice depression so really wet slop won't run off. Is that what you mean? How do you make them, since plaster "seeks its own level<' being a liquid at first!??
#26
Posted 05 January 2013 - 12:42 AM
jbcpottery

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