Best Table for the Studio?
#1
Posted 14 October 2012 - 04:34 PM
I am very fortunate to be setting up a new studio in my home and I was wondering what the best surface for work tables is. I was just going to head to Goodwill or Ikea and find some cheap and sturdy tables.
Most pottery places I have seen have canvas covered tables. I have just read that this tends to promote clay dust. Is there a better option?
Thanks!
Susan
#2
Posted 14 October 2012 - 04:48 PM
i like homemade worktables with 4x4 frame and legs, you want the Heavy...i have one with a repurposed restaurant tabletop (formica-ish) and one wood that i wrap in 6 mil plastic, change every 6 months or so.
the 3rd in 1/2 wood work surface, 1/2 plaster bat
#3
Posted 14 October 2012 - 07:34 PM
#4
Posted 14 October 2012 - 08:30 PM
At the college we use heavy wooden frame tables (custom) with 3/4" high density MDF for the top surface. The tops get changed every 3 years or so. Again clay does not stick, and the surfaces wash off easily. Stands up well to "student abuse".
NO CANVAS TABLE COVERINGS! Dust, dust, dust.
best,
.................john
Immediate Past President; Potters Council
Professor of Ceramics; New Hampshire Insitute of Art
http://www.JohnBaymore.com
#5
Posted 15 October 2012 - 07:01 AM
SusanM, on 14 October 2012 - 04:34 PM, said:
I am very fortunate to be setting up a new studio in my home and I was wondering what the best surface for work tables is. I was just going to head to Goodwill or Ikea and find some cheap and sturdy tables.
Most pottery places I have seen have canvas covered tables. I have just read that this tends to promote clay dust. Is there a better option?
Thanks!
Susan
I found an old oak drafting table on craiglist for $75.....heavy, sturdy, easy to clean. The finish was pretty well worn to the bare wood, so I can even wedge on it. The lowest height setting, though, requires a higher drafting chair (also found one on craigslist). It is perfect in my little studio; a great all purpose table.
#7
Posted 15 October 2012 - 10:33 AM
Marcia
#11
Posted 17 October 2012 - 10:33 AM
So, which do you all think would be the most lasting?
1. plywood surface
2. MDF surface
3. MDF surface w/6 coats linseed
4. Masonite surface glued to plywood backing (I have this on my woodworking workbench I made)
Thanks!
Susanna
#12
Posted 17 October 2012 - 11:09 AM
#13
Posted 17 October 2012 - 03:41 PM
#14
Posted 17 October 2012 - 04:33 PM
#15
Posted 17 October 2012 - 07:00 PM
I need both a wedging surface and a work surface. I also switch back and forth from red clay to white clay so I need something "washable" I was going to check out Ikea, craigslist, Goodwill, etc for a table structure but I wasn't sure about the surface. I have plaster bats for really wet clay, and a canvas covered 20" x 20" x 1" board for more dry clay, handbuilding, etc.
Slate sounds fancy, but I like the idea of masonite. Would an unfinished wood work well for wedging?
#16
Posted 18 October 2012 - 10:48 AM
skopchains, on 17 October 2012 - 11:33 AM, said:
Susanna,
I use TEMPERED masonite, and I hold it down with some sheetrock nails, not glue. That allows easy re-surfacing, the glue would be a real mess.
best,
..............john
Immediate Past President; Potters Council
Professor of Ceramics; New Hampshire Insitute of Art
http://www.JohnBaymore.com
#17
Posted 18 October 2012 - 11:15 AM
SusanM, on 17 October 2012 - 06:00 PM, said:
i would suggest separate wedging area, work area, and drying area for each color clay, you dont want white work that is pink (hey, you got chocolate in my peanut butter! are you old enough for that?,lol, anyway)
often you still to wedge while other clay is drying, this is why movable drying 'vats' are the way to go, plaster....perfect moment to learn how to pour plaster! it's cake to make,and durable, my vats are at least ten years old
plaster wedging surface too, whatever you were going to wedge on, put a 2x4 frame around the top and pour 3" of plaster in there
#18
Posted 18 October 2012 - 01:04 PM
(hey, you got chocolate in my peanut butter! are you old enough for that?,lol, anyway)
[/quote]
LOL - of course I remember that (I'm not that young - I was alive at least when Starwars came out)! However, mixing chocolate with peanut butter is MUCH more pleasurable than mixing white clay with red!
I do like my portable plaster "rectangles" - they work great for drying out clay, and don't take up too much space, and I can put them away if I don't need them.
@ JBaymore - do you find that underneath the masonite it gets moldy? I live in the northwest and mold is a constant - especially in damp, dark places. Just curious.
#19
Posted 18 October 2012 - 01:45 PM
SusanM, on 18 October 2012 - 02:04 PM, said:
New Hampshire gets hot and muggy for most of the summer and I've never seen an issue with this. TEMPERED masonite does not tend to absorb moisture. The 35 year old plywood underneath still looks preffy much like "fresh wood" in fact.
best,
................john
Immediate Past President; Potters Council
Professor of Ceramics; New Hampshire Insitute of Art
http://www.JohnBaymore.com
#20
Posted 18 October 2012 - 02:31 PM
2x plaster of paris boards for wedging that I've made 30 years ago, one for red and and one for white clay. For this I've used a beer box that holds 4x 6packs of beer as a mould. You simply throw mixed plaster of paris in the box and let it dry.
This is also used for drying out recycled clay.
I keep canvas and linen folded up in the drawer just to handle and move slabs to and from slabroller.
OKPotter, I like your idea of using slate, I will look into that.
Thanks to all of your for great ideas.

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