Chinese kiln gods and studio potters history, stories and knowledge of kiln gods
#1
Posted 25 September 2012 - 11:20 PM
#2
Posted 26 September 2012 - 09:45 AM
Fascinating topic. This likely should bring up a lively discussion here, I think.
As a long term professional kiln builder with strong ties to Japan (I can show you pictures of me doing the pre-firing Shinto blessing on wood kilns I've built there
And also being a professor of ceramics as well...... I'd LOVE to see a copy of your dissertation.
What is the ISBN of the book you have already published?
best,
................john
Immediate Past President; Potters Council
Professor of Ceramics; New Hampshire Insitute of Art
http://www.JohnBaymore.com
#3
Posted 26 September 2012 - 10:26 AM
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
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#5
Posted 26 September 2012 - 02:24 PM
I used kiln Gods on my reduction firings for the past forty plus years.
Marcia
#6
Posted 26 September 2012 - 02:27 PM
kilnpriestess, on 25 September 2012 - 10:20 PM, said:
#8
Posted 26 September 2012 - 04:10 PM
#9
#10
Posted 26 September 2012 - 08:01 PM
Cass, on 26 September 2012 - 05:10 PM, said:
To work properly for your firings they must be positioned appropriately by the eclectic electric clerics.
best,
..........................john
Immediate Past President; Potters Council
Professor of Ceramics; New Hampshire Insitute of Art
http://www.JohnBaymore.com
#12
Posted 26 September 2012 - 08:08 PM
#13
Posted 26 September 2012 - 11:01 PM
#14
Posted 27 September 2012 - 01:24 AM
JBaymore, on 26 September 2012 - 10:45 PM, said:
Fascinating topic. This likely should bring up a lively discussion here, I think.
As a long term professional kiln builder with strong ties to Japan (I can show you pictures of me doing the pre-firing Shinto blessing on wood kilns I've built there
And also being a professor of ceramics as well...... I'd LOVE to see a copy of your dissertation.
What is the ISBN of the book you have already published?
best,
................john
Hi John, it is nice to meet you.
I have been hoping for the chance to meet someone who knows about the rituals and customs for blessing a kiln firing in Japan for a very long time. I really do not know much about Japanese beliefs about spirits of Kami's, but I did argue in my writing about the validity of Kenneth Beittel's notion of his teaching about kiln god practices from Japan in his 1992 book Zen and the Art of Pottery. The ISBN for my writing is 978-1-4327-9073-8.
I would like very much to see a posting of your Shinto pre-firing blessing. Information about Japanese kiln blessing practices seem to be very rare. I am sure that there are many potters that would love to learn more about Japanese thoughts on this subject.
Building kilns is something that I wish I had more experience with. I'm a little embarrassed to admit that I have never had the chance to be a part of a wood firing. I am such a romantic when it comes to being mesmerized by fire and inticed by clay that I cannot believe that I missed this experience.
It is raining in Brunei today, which is not surprising because we have a rain-forest here.
Thanks in advance for your reply on the Japanese kiln blessing post.
#15
Posted 27 September 2012 - 01:40 AM
Marcia Selsor, on 27 September 2012 - 03:24 AM, said:
I used kiln Gods on my reduction firings for the past forty plus years.
Marcia
Hi Marcia.
No wonder your firings turn out so well--you are blessed by the kiln gods.
We only have electric kilns in Brunei, and there are not many of them around. I have seen small pockets of naturally occuring clay here along a few road cuts. This is why all of the clay here has to be imported.
I hope that you like Texas and that all is going well for you at home and in the studio.
Cheers, Martie
#16
Posted 27 September 2012 - 05:05 AM
Denice, on 27 September 2012 - 12:21 AM, said:
I learned about making kiln gods in college too. I always felt that the placement of kiln gods on community kilns personalized the kiln firing. Making a kiln god or a few guardians and putting them on the kiln was like staking out your territory while the kiln was being fired.
Cheers, Martie
#17
Posted 27 September 2012 - 05:17 AM
Wind n Wing, on 27 September 2012 - 09:04 AM, said:
RJ
The notion of kiln gods in the USA is a sort of playful idea that a kiln's fickle temperment (this is especially true for old up, or downdraft kilns) can be tamed or turned in favor of the ceramists needs if clay figures or creatures are placed on the roof or door arch area of the kiln.
Potter's in China do not make figures for individual kilns, however, ceramic producing regions or cities all have their own kiln dieties that form part of the pantheon of gods that make-up that area's folk religion or popular religion beliefs.
#18
Posted 27 September 2012 - 05:26 AM
JBaymore, on 27 September 2012 - 09:01 AM, said:
Since electric kilns are not as flashy and noisy as smoke spewing and fire belching fuel burning kilns, kiln gods just do not look too cool sitting on them or around them, or under them or where ever you can figure out to place them. I think that the lack of attention given to the gods of electric kilns is shameful and that we need to maybe start a committee to figure out if they should have their own special kind of metal shrine or something that can be placed close to the kiln when it is firing. Does anyone have any ideas? (I like the notion of eclectic electric clerics that john mentioned.)
Cheers, Martie
#19
Posted 27 September 2012 - 05:29 AM
Tim866, on 27 September 2012 - 03:30 AM, said:
This book has a long title, The Worship of Kiln Gods: From the Temples of China to the Studios of Western Potters.
Cheers, Martie
#20
Posted 27 September 2012 - 05:41 AM
Cass, on 27 September 2012 - 12:01 PM, said:
I think that making something and putting it on the kiln is like making a memento for the firing. Since we cannot be in the kiln with our work we do the best that we can by doing all of the right things before and after the firing. Sometimes making a kiln god during a firing can help me to focus my energy and thoughts about the firing so that I do not make mistakes or take the firing for granted. Just thinking about the firing might be good juju too.
Cheers, Martie

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