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soft brick coating for salt and wood fire experience with coatings?

#1 User is offline   LilyT Icon

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Posted 26 July 2012 - 01:52 PM

hi, all!

Looking for advice from you all on use of coatings for
soft brick used to line a kiln for soda and wood firing, but
the kiln will also use propane to help heat it and provide
some air movement for better oxygenation.
Does anyone here have any experience on what might
be useful or a waste of time/money/effort? I am
hoping to have a kiln with hard brick on the floor
and top but save mass and increase insulation by
using soft brick on the mid to upper walls. Can this
work to have a reasonable lifespan? Am I crazy?
Ignorant? Both :-).

I saw that Mark C. had some comments about
colloidal silica and zircon flour (on Clayart) a while
back, so maybe he can chime in, too, on his experience
and whether it may or may not help in this case?
I am seriously confused as to whether coatings help
bind together soft brick or prevent vapor penetration
or maybe something else altogether different, so
any education in this matter would be gratefully
accepted.

Any information, recommendations, clues would
help.

Thanks!
-Lily
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#2 User is offline   Mark C. Icon

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Posted 26 July 2012 - 03:36 PM

Lily
This should cover it
http://ceramicartsda...-brick-in-kiln/
I do not use this in the salt kiln -I use it in the bag walls and walls in the heat trench and in burner ports and on fiber in those areas on my reduction gas kilns.</div><div>The best use of the zircon is to keep bricks from spalling it sticks to them and stays its good for soft brick to hold it together
As its a silica binder it will not be good in a salt environment as salt sticks to high silica items like shelves and bricks
Things that have more alumina work better in salt kilns to resist.
For the heat of a wood kiln firebox this zircon stuff would be idea-I have not used it much above a bagwall height. Soda to me seems very Benin compared to salt and I have not been around it much.
In my salt we used ITC on soft brick and I have my own proprietary coating I'm developing for such use and have been using that.
Mark
Mark Cortright
www.liscomhillpottery.com
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#3 User is offline   neilestrick Icon

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Posted 26 July 2012 - 09:20 PM

We used a zircon flour/colloidal silica coating in grad school to coat the soft brick doors on our salt and soda kilns. It worked great. Zircon is very resistant to salt/soda vapor. I used to use a zircon flour and EPK mix for wadding.

The salt/soda glaze will not form without alumina present in the mix, too, which is why you can actually just dust flint on the shelves to protect them during the firing.
Neil Estrick
Kiln Repair Tech
L&L Distributor
Owner, Neil Estrick Gallery, LLC
www.neilestrickgallery.com

neil@neilestrickgallery.com
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#4 User is offline   Mark C. Icon

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Posted 27 July 2012 - 03:22 PM

Here is a basic salt kiln wash-no silica in this
http://ceramicartsda...re-and-methods/

We make our wading from 50/50
Alumina and EPK-it comes off easy in heavy salt.
Mark

Attached File(s)


Mark Cortright
www.liscomhillpottery.com
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#5 User is offline   LilyT Icon

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Posted 27 July 2012 - 11:19 PM

Thanks, Mark and Neil, for taking the time to help me out! This subject makes my
brain hurt every time :-).

Let's see if I'm understanding correctly here...

Vapor glazing reactions occur when fluxes land on the silica, so I should use
higher alumina products (e.g. alumina) or items with silica that have higher
melting temperatures (e.g. zircon) even when they have silicates in them
(zircon, EPK). Some fluxing can even be your friend, as in John Britt's modified
kiln wash where he adds 1% feldspar, so that materials don't lift off the
kiln and stick onto your pots.

However, salt (sodium, calcium, or potassium) and silica also won't form glaze
unless there is some alumina too, so I can use a pure silica (flint) material to help
shield surfaces.

Neil's experience that colloidal silica/zircon does actually protect kilns is useful data.
As is Mark's experience with ITC.

So my issue with soft brick (made of alumina and silica) where the hot face
fluxes (due to ash deposition and soda/salt) and eventually spalls off when
it's penetrated about 3/16 inch into the brick, can be moderated
by adding a coating that sticks to the brick surface (i.e. fluxing in) but having a
close enough coefficient of thermal expansion such that it does not want to fall
off during temperature shifts. (and not using soft brick on the roof)

And thanks, too, for mentioning the wadding choices! I have not tried zircon
in the wadding, though we have used the other recipes. I will try some.

The photos of Mark's gorgeous pots unloaded safely were great. I have
fired a combination of soda and wood, and I am wanting to try just soda
and just salt eventually. I think our wadding problem is due to the
sheer amount of ash being so heavy in some areas that a large flood of glass sticks
the pot to the shelf/floor (and breaks the pot as it cools). Bigger wadding may
be the answer, or more control in the firing, or maybe using soft brick as the wadding.
I recently saw some *beautiful* seashell markings from filled shells used as wadding.
(Big seashells. Little marks. Sorry, I digress)

So I will try the colloidal silica / zircon on the lower portions of the kiln, and
consider painting it on the upper (soft brick, K26) areas too. It sounds like this
could be applied even to previously used (but not friable) surfaces, which is
good because I am using old hard brick (but new soft brick).
I haven't had as good luck with alumina based kiln washes (mixed with calcined and raw EPK) staying on (and
conversely when used thinly, the kiln shelf fluxes anyway) so I'll put
that on the back burner for now, so to speak. It may be something in
the way I'm applying it (or that I need to use the feldspar), so I'll think
about it.

I am curious about the sand layer, but that probably wouldn't stay put with
the rate of air flow by the top end of the firing.


Does this make sense? Have I used your advice correctly?

Thank you so much!
warmest regards,
Lily

As an aside, I was reading Euan Craig's blog recently and it seems he just lets the
soft brick get crusty (maybe he scrapes off the worst )and things just keep
working for upward of a hundred firings (that's enough for me, but
for you guys it's only a couple years, eh?) That's something to think about, too.


P.S. #2
I was also curious as to how high Mark's bagwall (mentioned in regard to the
zircon coating) is compared to the full height of the kiln?
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#6 User is offline   Mark C. Icon

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Posted 28 July 2012 - 11:54 AM

View PostLilyT, on 27 July 2012 - 11:19 PM, said:

Thanks, Mark and Neil, for taking the time to help me out! This subject makes my
brain hurt every time :-).

Let's see if I'm understanding correctly here...

Vapor glazing reactions occur when fluxes land on the silica, so I should use
higher alumina products (e.g. alumina) or items with silica that have higher
melting temperatures (e.g. zircon) even when they have silicates in them
(zircon, EPK). Some fluxing can even be your friend, as in John Britt's modified
kiln wash where he adds 1% feldspar, so that materials don't lift off the
kiln and stick onto your pots.

(Wikapedia
Salt glaze pottery is stoneware with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process.Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown (from iron oxide), blue (from cobalt oxide), or purple (from manganese oxide).[1][2][3]
However, salt (sodium, calcium, or potassium) and silica also won't form glaze
unless there is some alumina too, so I can use a pure silica (flint) material to help
shield surfaces.

Neil's experience that colloidal silica/zircon does actually protect kilns is useful data.
As is Mark's experience with ITC.

( I have had great experiences with ITC sprayed on soft brick in salt kiln-this coatings sprayed on damp bricks-in salt kiln)
( our k28s do spall over time but these coating help extend the life)

So my issue with soft brick (made of alumina and silica) where the hot face
fluxes (due to ash deposition and soda/salt) and eventually spalls off when
it's penetrated about 3/16 inch into the brick, can be moderated
by adding a coating that sticks to the brick surface (i.e. fluxing in) but having a
close enough coefficient of thermal expansion such that it does not want to fall
off during temperature shifts. (and not using soft brick on the roof)

And thanks, too, for mentioning the wadding choices! I have not tried zircon
in the wadding, though we have used the other recipes. I will try some.

The photos of Mark's gorgeous pots unloaded safely were great. I have
fired a combination of soda and wood, and I am wanting to try just soda
and just salt eventually. I think our wadding problem is due to the
sheer amount of ash being so heavy in some areas that a large flood of glass sticks
the pot to the shelf/floor (and breaks the pot as it cools). Bigger wadding may
be the answer, or more control in the firing, or maybe using soft brick as the wadding.
I recently saw some *beautiful* seashell markings from filled shells used as wadding.
(Big seashells. Little marks. Sorry, I digress)
(
We have used shells but they fluxed more than we liked)

So I will try the colloidal silica / zircon on the lower portions of the kiln, and
consider painting it on the upper (soft brick, K26) areas too. It sounds like this
could be applied even to previously used (but not friable) surfaces, which is
good because I am using old hard brick (but new soft brick).
I haven't had as good luck with alumina based kiln washes (mixed with calcined and raw EPK) staying on (and
conversely when used thinly, the kiln shelf fluxes anyway) so I'll put
that on the back burner for now, so to speak. It may be something in
the way I'm applying it (or that I need to use the feldspar), so I'll think
about it.

I am curious about the sand layer, but that probably wouldn't stay put with
the rate of air flow by the top end of the firing.


Does this make sense? Have I used your advice correctly?
( for us we try to avoid silica products in slat kiln-like silicon carbide shelves or posts which always get tons of drips on them-we use dry pressed high alumina English shelves coated with ITC as well-we sprayed out pots with itc-we spayed our fiber door and hard and soft brick walls and Roof (fiber) with iTC-it resists salt very well-We do use alumina in wading and avoid silica in all our recipies (home made kiln wash)
Thank you so much!
warmest regards,
Lily

As an aside, I was reading Euan Craig's blog recently and it seems he just lets the
soft brick get crusty (maybe he scrapes off the worst )and things just keep
working for upward of a hundred firings (that's enough for me, but
for you guys it's only a couple years, eh?) That's something to think about, too.

I added comments about to your text-I only have fired this salt kiln about 10 fires so far.
P.S. #2
I was also curious as to how high Mark's bagwall (mentioned in regard to the
zircon coating) is compared to the full height of the kiln?

(My bag wall in salt kiln is 4 bricks high on the 4 1/2 edge loosely stacked so thats 18 inches tall
Remember In the salt I have yet to spray the zircon mix-I only have used it in reduction firing kilns.
I will test in next salt fire next year.)
Heres the salt kiln when it was NEW
http://ceramicartsda...__fromsearch__1
Mark
Mark Cortright
www.liscomhillpottery.com
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#7 User is offline   LilyT Icon

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Posted 28 July 2012 - 12:48 PM

View PostMark C., on 28 July 2012 - 09:54 AM, said:

... <lots of great comments elided out temporarily as my sister's kids are coming over
soon and I gotta get the house straightened up, but I couldn't resist a quick reply>...

(My bag wall in salt kiln is 4 bricks high on the 4 1/2 edge loosely stacked so thats 18 inches tall
Remember In the salt I have yet to spray the zircon mix-I only have used it in reduction firing kilns.
I will test in next salt fire next year.)
Heres the salt kiln when it was NEW
http://ceramicartsda...__fromsearch__1
Mark


Mark, thanks for your comments, I promise to think about it and get to them soon!


-Lily
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#8 User is offline   Mark C. Icon

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Posted 19 August 2012 - 02:33 AM

View PostLilyT, on 28 July 2012 - 12:48 PM, said:

View PostMark C., on 28 July 2012 - 09:54 AM, said:

... <lots of great comments elided out temporarily as my sister's kids are coming over
soon and I gotta get the house straightened up, but I couldn't resist a quick reply>...

(My bag wall in salt kiln is 4 bricks high on the 4 1/2 edge loosely stacked so thats 18 inches tall
Remember In the salt I have yet to spray the zircon mix-I only have used it in reduction firing kilns.
I will test in next salt fire next year.)
Heres the salt kiln when it was NEW
http://ceramicartsda...__fromsearch__1
Mark


Mark, thanks for your comments, I promise to think about it and get to them soon!


-Lily


Lily
I have done a lot of testing with this but recently learned that its best not to talk about testing so just forget any thing that I may have said about testing.I guess its best now for folks to make their own mistakes and not take advise from others.Heck I know very little on this subject-I've only been coating things for 25 years now.When I get better at it I'll post again.
Mark
Mark Cortright
www.liscomhillpottery.com
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#9 User is offline   LilyT Icon

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Posted 19 August 2012 - 03:14 AM

View PostMark C., on 19 August 2012 - 12:33 AM, said:

View PostLilyT, on 28 July 2012 - 12:48 PM, said:

View PostMark C., on 28 July 2012 - 09:54 AM, said:

... <lots of great comments elided out temporarily as my sister's kids are coming over
soon and I gotta get the house straightened up, but I couldn't resist a quick reply>...

(My bag wall in salt kiln is 4 bricks high on the 4 1/2 edge loosely stacked so thats 18 inches tall
Remember In the salt I have yet to spray the zircon mix-I only have used it in reduction firing kilns.
I will test in next salt fire next year.)
Heres the salt kiln when it was NEW
http://ceramicartsda...__fromsearch__1
Mark


Mark, thanks for your comments, I promise to think about it and get to them soon!


-Lily


Lily
I have done a lot of testing with this but recently learned that its best not to talk about testing so just forget any thing that I may have said about testing.I guess its best now for folks to make their own mistakes and not take advise from others.Heck I know very little on this subject-I've only been coating things for 25 years now.When I get better at it I'll post again.
Mark


Hi, Mark,
Fancy seeing you here on this thread, too :-). Oops, I lost track of which threads
I'd replied to. (I've taken to mostly typing on my editor and pasting it in, but I have
literally >1000 windows open due to work etc and got lost). You sound like you
feel someone is disregarding your opinions - I hope it was not something I said that
may have inadvertently offended you!- I am doing my best to understand a difficult
subject where I am a beginner so forgive me if I misinterpreted or didn't give enough
weight to something you said.
If you still don't mind continuing this conversation, what I think I took away
from your illuminating comments was that ITC on soft brick protects, so I have
ordered the ITC and plan to use it there. I have changed my kiln design to have more
soft brick therefore, since this will make it need fewer makeovers and also lower
the energy requirements.
You said your seashells fluxed too much... were they just stuck then? Or did
the pots just sink through the shells?
I am not sure what to do with my shelves, lol, I had gotten all silicon carbide already
to start with (I had a bunch of shelves and some brick, and it occurred to me that
it could become a kiln). I guess if they get all eaten up, then I'll replace them with
alumina. Or maybe I'll stick to wood at first.
I will spray the posts (brick) with ITC, that's something I hadn't originally
thought about, thank you.
And perhaps I will put the colloidal silica/zircon mix in half the bottom of
the kiln (hard brick).
My goodness. This kiln will have such good parentage. I wish I could do
something to thank you and everyone for such kind help. Suggestions? Firing
party?

warmest regards,
Lily
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#10 User is offline   Mark C. Icon

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Posted 19 August 2012 - 03:40 AM

View PostLilyT, on 19 August 2012 - 03:14 AM, said:

View PostMark C., on 19 August 2012 - 12:33 AM, said:

View PostLilyT, on 28 July 2012 - 12:48 PM, said:

View PostMark C., on 28 July 2012 - 09:54 AM, said:

... <lots of great comments elided out temporarily as my sister's kids are coming over
soon and I gotta get the house straightened up, but I couldn't resist a quick reply>...

(My bag wall in salt kiln is 4 bricks high on the 4 1/2 edge loosely stacked so thats 18 inches tall
Remember In the salt I have yet to spray the zircon mix-I only have used it in reduction firing kilns.
I will test in next salt fire next year.)
Heres the salt kiln when it was NEW
http://ceramicartsda...__fromsearch__1
Mark


Mark, thanks for your comments, I promise to think about it and get to them soon!


-Lily


Lily
I have done a lot of testing with this but recently learned that its best not to talk about testing so just forget any thing that I may have said about testing.I guess its best now for folks to make their own mistakes and not take advise from others.Heck I know very little on this subject-I've only been coating things for 25 years now.When I get better at it I'll post again.
Mark


Hi, Mark,
Fancy seeing you here on this thread, too :-). Oops, I lost track of which threads
I'd replied to. (I've taken to mostly typing on my editor and pasting it in, but I have
literally >1000 windows open due to work etc and got lost). You sound like you
feel someone is disregarding your opinions - I hope it was not something I said that
may have inadvertently offended you!- I am doing my best to understand a difficult
subject where I am a beginner so forgive me if I misinterpreted or didn't give enough
weight to something you said.
If you still don't mind continuing this conversation, what I think I took away
from your illuminating comments was that ITC on soft brick protects, so I have
ordered the ITC and plan to use it there. I have changed my kiln design to have more
soft brick therefore, since this will make it need fewer makeovers and also lower
the energy requirements.
You said your seashells fluxed too much... were they just stuck then? Or did
the pots just sink through the shells?
I am not sure what to do with my shelves, lol, I had gotten all silicon carbide already
to start with (I had a bunch of shelves and some brick, and it occurred to me that
it could become a kiln). I guess if they get all eaten up, then I'll replace them with
alumina. Or maybe I'll stick to wood at first.
I will spray the posts (brick) with ITC, that's something I hadn't originally
thought about, thank you.
And perhaps I will put the colloidal silica/zircon mix in half the bottom of
the kiln (hard brick).
My goodness. This kiln will have such good parentage. I wish I could do
something to thank you and everyone for such kind help. Suggestions? Firing
party?

warmest regards,
Lily


You may want to ask Offcenter as he has vast wood firing experience and they coat those kilns.
John Baymore also has lots of this behind him-he has the most experience here and I respect him and what he says.
I only have 35-40 years of it so I;m a newby still testing and learning .
Mark
Mark Cortright
www.liscomhillpottery.com
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