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surform how do you use it correctly?
#1
Posted 03 May 2012 - 01:59 PM
I've heard several pottery swear by a surform, some saying they couldn't do without it.
I have attempted several times to get a good grasp of using one, but it sure is not my favorite tool.
What is the proper dryness stage to use it, and how do you go about smoothing the surface out after you use
it, if you decide you want it smooth?
I am sure....I am doing something not quite right.
Any tips?
I thank all who offer help and suggestions.
juli
I have attempted several times to get a good grasp of using one, but it sure is not my favorite tool.
What is the proper dryness stage to use it, and how do you go about smoothing the surface out after you use
it, if you decide you want it smooth?
I am sure....I am doing something not quite right.
Any tips?
I thank all who offer help and suggestions.
juli
la paloma texas pottery
#2
Posted 03 May 2012 - 02:18 PM
Juli, I use my small hand-held ones when the clay is leather hard ( like a good aged cheddar) and when close to what I want, ease up on the pressure so the grooves aren't as deep, then use a metal rib to finish the surface. If there are small imperfections, I brush on some terra sig and work that in. I'm sure there are other ways, but this is mine.
#4
Posted 03 May 2012 - 03:47 PM
Marcia, and Idaho Potter,
Thanks for the help. From reading your responses, I think I am being a little too aggressive, and not lighting up at the end. I, too, work it at the leather hard stage, but thought it might
need to be a bit dryer to avoid the deep grooves, but I now think not. I will go back and lightly fine tune, and then use a rib to smooth and maybe a slip to fill.
juli
Thanks for the help. From reading your responses, I think I am being a little too aggressive, and not lighting up at the end. I, too, work it at the leather hard stage, but thought it might
need to be a bit dryer to avoid the deep grooves, but I now think not. I will go back and lightly fine tune, and then use a rib to smooth and maybe a slip to fill.
juli
la paloma texas pottery
#7
Posted 04 May 2012 - 07:13 AM
didn't attach on first attempt. sorry. This is how I refine the edges of large tarpaper foams.
Marcia
Marcia
Attached File(s)
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surform2.jpeg (31.67K)
Number of downloads: 71
Marcia Selsor
#8
Posted 04 May 2012 - 08:01 AM
Marcia Selsor, on 04 May 2012 - 07:13 AM, said:
didn't attach on first attempt. sorry. This is how I refine the edges of large tarpaper foams.
Marcia
Marcia
Earlier you mentioned the use of hack saw blades. I have always used hack saw blades to sharpen up edges, and make certain joins have continuity. I used to also have access to used band saw blades. Different blades would have close or far distanced teeth that would allow fast removal of material and then use finer blades to clean up, then the flat edge to finish. These days I rely on packages of 50 hacksaw blades to get the work done. Some I will heat up to bend into hoop tools and other trimmers.
#9
Posted 04 May 2012 - 10:53 AM
Pres ... Could you post images of those tools made from the blades?
Chris Campbell
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
Contemporary Fine Colored Porcelain
www.ccpottery.com
"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
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