: What are your favorite pottery tools - the ones you don't share? | Feb 20, 2012 -

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What are your favorite pottery tools - the ones you don't share? | Feb 20, 2012 Potters Council Question of the Week

#21 User is offline   koreyej Icon

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Posted 28 October 2012 - 11:36 PM

I'm with Dinah. You can borrow/use anything with a little persuasion. But don't change the radio station. I've had that radio for 24 years now, and last time I changed it, it took me 2 weeks to get it tuned back in.
Korey Averill
ka Studios Pottery

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#22 User is offline   Lucille Oka Icon

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Posted 29 October 2012 - 05:33 PM

I no longer lend my silk sponges and chamois strips not since the day someone I lent them to could not find them. But I didn't know that until several days later. I had to go feel around in the large rubbermaid clay reclamation bin after dozens of folks threw their slop and failed pots in the bin. I had to go in deep down to see if they were there; they were.
INRI
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#23 User is offline   Pres Icon

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Posted 30 October 2012 - 10:50 PM

View PostLucille Oka, on 29 October 2012 - 05:33 PM, said:

I no longer lend my silk sponges and chamois strips not since the day someone I lent them to could not find them. But I didn't know that until several days later. I had to go feel around in the large rubbermaid clay reclamation bin after dozens of folks threw their slop and failed pots in the bin. I had to go in deep down to see if they were there; they were.


Yes, and then when they go through the pug mill to be rewedged into the throwing clay-what a mess they make for the thrower!
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#24 User is offline   Chris Campbell Icon

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Posted 31 October 2012 - 09:50 AM

I guess I would lend most of my tools to someone I knew who would take care of them if they were kept nearby, but if I am going to an open studio environment the good ones stay home. Some are expensive, others are just shaped right and do a great job, some are home made ... if it cannot be replaced, keep em close!
Chris Campbell
Contemporary Fine Colored Porcelain
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"My Artwork would not exist without a thriving global pottery community.
In the isolation of a studio, an artist can begin to feel like an island, but in truth
we are all part of archipelagoes; chains of islands loosely connected by a stream
of information that enhances our Artwork.”
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